Rudolf Von Fenis-Neuenburg, Folger Consort's ' "Minne Gebiutet Mir (Rudolf Von Fenis-neuenburg)" was released on its scheduled release date, January 1, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 30 in Alpine Airs: Music of Switzerland, 13th-16th Centuries by Folger Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Minne Gebiutet Mir (Rudolf Von Fenis-neuenburg) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Minne Gebiutet Mir (Rudolf Von Fenis-neuenburg) by Rudolf Von Fenis-Neuenburg, Folger Consort is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ricercare | Francesco Spinacino, Circa 1500, Emily Van Evera, Nancy Hadden, Robert Meunier, Christopher Wilson, Erin Headley | C Minor | 0 | 5A | 94 BPM | ||
| Missa Iste confessor domini: Agnus Dei III | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | E♭ Minor | 1 | 2A | 86 BPM | ||
| Par mantes foys | Jehan Vaillant, La Reverdie | A Minor | 1 | 8A | 121 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 1 | 3B | 82 BPM | ||
| Missa O lumen ecclesie: Christe | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 3 | 11A | 78 BPM | ||
| Contrapunto Primo di B.M. | Vincenzo Galilei, Lynda Sayce, Matthew Spring | G Minor | 0 | 6A | 75 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| Recercada Ruggero | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 175 BPM | ||
| Quam pulchra es / Secunda pars: Gutur tuum à 5 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | A Minor | 1 | 8A | 79 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Improvisació llaüt | Michaël Grébil | C Major | 1 | 8B | 97 BPM | ||
| O Pulcre Facies | Susan Lincoln | D Minor | 5 | 7A | 124 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Trattado de glosas: Recercada No. 4, "La gamba" | Diego Ortiz, Piffaro | F♯ Minor | 0 | 11A | 96 BPM | ||
| Introit: Puer natus est | Currentes | A♭ Major | 0 | 4B | 129 BPM | ||
| J'ai mon cuer | Ensemble Project Ars Nova | A Minor | 0 | 8A | 0 BPM | ||
| Can She Excuse My Wrongs à 4 | John Dowland, Les Joueurs de Traverse, Marc Mauillon, Christian Rivet | G Minor | 0 | 6A | 136 BPM | ||
| Candor Throni | Chants From the Holyland- Graz Gregorian Chants School of Austri, Our Lady of Fatima Kongowea Catholic Choir, Coro De La Abadía Benedictina De Santo Domingo De Silos, Father Boyd | D♭ Minor | 0 | 12A | 75 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| O eterne deus | Hildegard von Bingen, Matelda Viola, Stefano Sabene, Schola Romana Ensemble | G Major | 1 | 9B | 71 BPM | ||
| O Combien est heureuse | Adrien le Roy, The King's Noyse, David Douglass, Ellen Hargis | E♭ Major | 1 | 5B | 98 BPM | ||
| Lachrimae or Seven Tears: III. Lachrimae gementes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Caritas habundat in omnia | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Marília Vargas | D♭ Major | 0 | 3B | 57 BPM | ||
| Fayrfax: Magnificat "Regale": IV. Suscepit Israel puerum suum | Robert Fayrfax, Choir of King's College, Cambridge, Stephen Cleobury | G Major | 2 | 9B | 111 BPM |