On July 6, 2004, the song "Mhara Jeeja Ji" was released by Rekha Rao. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in Rekha Rao, Parmeshwar Premi's "Gori Kare Singar" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Mhara Jeeja Ji is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mhara Jeeja Ji by Rekha Rao to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mori Maiya Ki Chunari | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Mujhko Nandi Bana Le | Shekhar Jaiswal | G Major | 7 | 9B | 90 BPM | ||
| Pichham Dharasu Mhara (Shringarik Aarti) | Gopal Bajaj | A♭ Major | 4 | 4B | 93 BPM | ||
| Deenanath Meri Baat | Lakhbir Singh Lakha | D Major | 7 | 10B | 86 BPM | ||
| Tera Tha Hu Rahunga | Reshmi Sharma | G Major | 8 | 9B | 100 BPM | ||
| Bahein Pakadle Baba | Sanjay Mittal | C Minor | 8 | 5A | 166 BPM | ||
| Khele Masane Mein Holi Digambar | Mishra Bandhu | E♭ Minor | 8 | 2A | 75 BPM | ||
| Bhagwat Bhagwan Ki Aarti | Devendra Pathak | A♭ Major | 8 | 4B | 82 BPM | ||
| Thake Ghadi Aaj Kaandhe Pe | Pt. Ram Avtar Sharma, Rekha Rao | G Minor | 6 | 6A | 100 BPM | ||
| Hazari Likhwata Hu Har Gyaras Mein | Sanjay Mittal | G Minor | 8 | 6A | 80 BPM | ||
| Chaal Chanda Dagaliye Per | Seema Mishra, Mukesh Bagda | A♭ Minor | 6 | 1A | 179 BPM | ||
| Uncho Rakh Nishan Shyam Ko - Vivek Sharma | Vivek Sharma | D♭ Major | 7 | 3B | 75 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Hivde Su Dur Mat Jay | Raj Menaria, Rekha Rao | D♭ Major | 7 | 3B | 105 BPM | ||
| Hum Hain Shyam Ke Pyare | Sanjay Mittal | B♭ Minor | 7 | 3A | 86 BPM | ||
| Meri Radha Gori Gori | Dhruv Sharma, Swarna Shri | F♯ Minor | 6 | 11A | 168 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Sanyasi Baba Ki Bhabhuti Kamaal Kar Gayi | Khanij Dev Chouhan | D♭ Major | 9 | 3B | 140 BPM | ||
| Isar Das Ji To Bago | Supriya | F♯ Major | 5 | 2B | 154 BPM | ||
| Chata Teri Teen Lok Se Nayari Hain | Sadhvi Purnima Ji | F Minor | 9 | 4A | 140 BPM | ||
| Chhailo Jhala Dair Bulave | Seema Mishra, Mukesh Bagda | D♭ Minor | 6 | 12A | 79 BPM | ||
| Nain Tere Maa Naina Devi | Karnail Rana | B♭ Minor | 9 | 3A | 140 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Shyama Aan Baso Vrindavan Mein (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | B♭ Minor | 8 | 3A | 166 BPM |