Zakir Hussain's ' "At The Eleventh Hour: Part 2 (Chaar Taal Ki Sawari: Part 2)" was released on its scheduled release date, July 6, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 13 in Call Of Fire - 13 Meditations On Tabla by Zakir Hussain & Alla Rakha. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, At The Eleventh Hour: Part 2 (Chaar Taal Ki Sawari: Part 2) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of At The Eleventh Hour: Part 2 (Chaar Taal Ki Sawari: Part 2) by Zakir Hussain is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Double Dayan | Traditional, Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | C Major | 3 | 8B | 171 BPM | ||
| Dhun in Rag Pilu | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | D Minor | 3 | 7A | 139 BPM | ||
| Raga Dhani | Baluji Shrivastav | D♭ Major | 5 | 3B | 124 BPM | ||
| Raga Bhairavi Alap | Shahid Parvez | A♭ Minor | 1 | 1A | 136 BPM | ||
| Toronto (Canada) 1989 - Tintal | Zakir Hussain & Dudhadev Dasgupta | B Minor | 8 | 10A | 178 BPM | ||
| Raga Shankara - Drut Ektal | Ram Narayan, Suresh Talwalkar, François Auboux | D♭ Major | 3 | 3B | 153 BPM | ||
| Raga Aberi Track 03 | L. Shankar | B♭ Minor | 6 | 3A | 88 BPM | ||
| Cougar Run | Mickey Hart, Airto Moreira, Babatunde Olatunji, Sikiru Adepoju, Zakir Hussain | D♭ Major | 7 | 3B | 105 BPM | ||
| Folk Tune From Assam | Tarun Bhattacharya | A Major | 4 | 11B | 116 BPM | ||
| Remembering the Legend - Ek Taal | Zakir Hussain, Sultan Khan | G Minor | 9 | 6A | 67 BPM | ||
| Tilak Kamod | Shruti Sadolikar | A♭ Major | 3 | 4B | 156 BPM | ||
| Raga Bhairavi - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | F Major | 6 | 7B | 107 BPM | ||
| Rhythm Drive - Adi | Akshay Anantapadmanabhan, Hrishikesh Dharam, IndianRaga, Rohan Krishnamurthy | B Major | 7 | 1B | 78 BPM | ||
| Avadhoota | Vedanth Bharadwaj, Bindhumalini | A Major | 1 | 11B | 211 BPM | ||
| Bhatiyali - Based on : Pahadi Jhinjhit | Bidyut Khan Band, Lucyan | B Minor | 4 | 10A | 103 BPM | ||
| Bhajan Vaishnav, Jana to tene kamije | Narsi Mehta, Ismail Sheikh, Linda Shanovitch, Baluji Shrivastav, Sarvar Sabri | B♭ Major | 6 | 6B | 122 BPM | ||
| Qaida in Four | Traditional, Zakir Hussain | D♭ Major | 8 | 3B | 141 BPM | ||
| Jai Taal | Zakir Hussain | G Major | 9 | 9B | 94 BPM | ||
| Agra | Downing And Mayer | C Major | 5 | 8B | 138 BPM | ||
| Desert Heartbeat | Zakir Hussain | G Major | 3 | 9B | 110 BPM | ||
| Kitee Billee Dron Ko Pasand Karatee Hai | Tanpura Express | E♭ Major | 2 | 5B | 140 BPM | ||
| Earl in Shanghai | Béla Fleck, Jie-Bing Chen, Vishwa Mohan Bhatt | G Major | 2 | 9B | 95 BPM | ||
| Naima | Deepak Ram | A Major | 2 | 11B | 76 BPM | ||
| Fast tintal | Manilal Nag | G Major | 4 | 9B | 143 BPM |