Имре Кальман, Людмила Белобрагина, Анатолий Моксяков, Большой хор Всесоюзного радио и Центрального телевидения, Юрий Силантьев, Эстрадно-симфонический оркестр Всесоюзного радио и Центрального телевидения's 'Баядера, действие II: Ансамбль Одетты и Принца Раджами' had a release date set for January 1, 1973. This song appears to be safe for all ages as it is not explicit. There is only one song in Имре Кальман: Баядера, so we believe that "Баядера, действие II: Ансамбль Одетты и Принца Раджами" is a single. Баядера, действие II: Ансамбль Одетты и Принца Раджами is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Баядера, действие II: Ансамбль Одетты и Принца Раджами by Имре Кальман, Людмила Белобрагина, Анатолий Моксяков, Большой хор Всесоюзного радио и Центрального телевидения, Юрий Силантьев, Эстрадно-симфонический оркестр Всесоюзного радио и Центрального телевидения is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
| Parlami d’amore, Mariù | Cesare Andrea Bixio, Juan Diego Flórez, Craig Ogden | A♭ Major | 1 | 4B | 135 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
| Nabucco: Va pensiero sull'ali dorate | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 152 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La Verbena de la Paloma, Act I: Rita y Julián (Rita, Julián, Guardia 1, Guardia 2, Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 2 | 8B | 96 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Besos Robados | Jorge Del Moral, Javier Camarena | B Minor | 4 | 10A | 134 BPM | ||
| Die Fledermaus, Act I: Terzett. So muss allein ich bleiben (Rosalinde, Adele, Eisenstein) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Aga Mikolaj, Chen Reiss, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Tosca, S. 69, Tosca, Act I: Tre sbirri, una carrozza, "Te Deum" | Giacomo Puccini, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | C Minor | 5 | 5A | 73 BPM | ||
| Ka | Baksman | G Minor | 3 | 6A | 81 BPM | ||
| Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
| Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM | ||
| Trois mélodies, Op. 23: No. 2, Notre amour | Dilyana Georgieva, Galina Apostolova | E Major | 3 | 12B | 102 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| La donna è mobile | Mario del Monaco | F Major | 3 | 7B | 89 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Semiramide, Act I Scene 8: Ah dov'e, dov'e il cimento? (Idreno) | Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | C Major | 1 | 8B | 81 BPM | ||
| Do-Re-Mi - From "The Sound of Music" | Richard Rodgers, Vienna Boys' Choir, Peter Marschik | B♭ Major | 5 | 6B | 110 BPM | ||
| Gounod: Faust, Act 2: "Allons, amis ! Point de vaines alarmes !" (Wagner, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Orchestre Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM |