Over Hills, Over Dales - Live by Ralph Vaughan Williams, Nonsuch Singers, Michael Hodges Song Details

Ralph Vaughan Williams, Nonsuch Singers, Michael Hodges's ' "Over Hills, Over Dales - Live" was released on its scheduled release date, February 6, 2026. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Nonsuch Singers English Music (Live)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Over Hills, Over Dales - Live is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With Over Hills, Over Dales - Live by Ralph Vaughan Williams, Nonsuch Singers, Michael Hodges having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.908 dB
Acousticness: 99%
Danceability: 43%
Energy: 14%
Instrumentalness: 21%
Liveness: 29%
Loudness: 60%
Speechiness: 5%
Valence: 41%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite from The Victorian Kitchen Garden: I. Prelude	Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra	B♭ Major	0	6B	93 BPM
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato	Ralph Vaughan Williams, Hallé, Sir Mark Elder	A Minor	0	8A	81 BPM
Eclogue for Piano and Strings, Op. 10	Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths	F Minor	1	4A	66 BPM
Piano Concerto No. 6 in C Major, H. 49: II. Larghetto	John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players	E Major	0	12B	79 BPM
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio	Wolfgang Amadeus Mozart, LSO Wind Ensemble	E♭ Major	0	5B	65 BPM
Suite pastorale: I. Idylle	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	F Major	0	7B	105 BPM
Dona nobis pacem: The Angel of Death has been abroad	Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill	F Major	2	7B	88 BPM
Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski)	Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier	E Major	0	12B	76 BPM
Who is Sylvia?, Op.18, No.2 - Instrumental	Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon	E♭ Major	1	5B	138 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	G Major	2	9B	115 BPM
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene)	Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto	C Major	0	8B	108 BPM
On hearing the first Cuckoo in Spring	Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	80 BPM
Scottish Fantasy, Op. 46: 1. Adagio cantabile	Max Bruch, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald	E♭ Major	2	5B	111 BPM
Requiem: 5. Pie Jesu	The Ayoub Sisters, Royal Philharmonic Orchestra, Mark Messenger	A Major	1	11B	87 BPM
4 Dance Episodes from Rodeo: II. Corral Nocturne	Aaron Copland, Leonard Bernstein, New York Philharmonic	C Major	0	8B	92 BPM
A Shropshire Lad	George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult	F Minor	1	4A	88 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas	F♯ Minor	0	11A	62 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster	E♭ Major	0	5B	100 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Schemellis Gesangbuch: "Mein Jesu! Was fur Seelenweh", BWV 487 - Live	Johann Sebastian Bach, Czech Philharmonic, Leopold Stokowski	D Minor	0	7A	88 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Mors et Vita: Judex	Charles Gounod, Richard Hickox Orchestra, Richard Hickox	C Minor	1	5A	95 BPM
Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante (Orch. Marriner)	Alexander Borodin, Sir Neville Marriner, Academy of St. Martin in the Fields, Denis Vigay, Kenneth Sillito	A Major	1	11B	93 BPM
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Conclusion)	Gustav Mahler, Sir John Barbirolli, John Barbirolli, New Philharmonia Orchestra	A Minor	1	8A	77 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM