George Gershwin, Sebastian Manz, Martin Klett's '3 Preludes: No. 1, Allegro ben ritmato e decisio' had a release date set for March 1, 2013. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sebastian Manz, Martin Klett's "In Rhythm" album is number 1 out of 19. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 3 Preludes: No. 1, Allegro ben ritmato e decisio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Preludes: No. 1, Allegro ben ritmato e decisio by George Gershwin, Sebastian Manz, Martin Klett to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: I. Romanze (Andante con doulo) | Carl Nielsen, Markus Becker, Albrecht Mayer | C Minor | 0 | 5A | 110 BPM | ||
| Concertino in E-Flat Major, Op. 26: Concertino | Carl Maria von Weber, Sebastian Manz, Stuttgart Radio Symphony Orchestra, Antonio Méndez | B♭ Major | 0 | 6B | 132 BPM | ||
| A Songe Called Trumpetts | Robert Parsons, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 142 BPM | ||
| Rondo - Allegretto (from Quintet in E flat major, K. 452) | Wolfgang Amadeus Mozart, Sebastian Manz | E♭ Major | 1 | 5B | 89 BPM | ||
| Bozza Aria pour Saxophone Alto Mib et Piano | Masato Kumoi, Tomoko Nakachi | G Minor | 1 | 6A | 76 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| II. — (Three Pieces for Clarinet Solo) | Igor Stravinsky, Sebastian Manz | F Major | 3 | 7B | 126 BPM | ||
| Telemann: Fantasia No. 2 in A Minor, TWV 40:3 | Georg Philipp Telemann, Emmanuel Pahud | A Minor | 0 | 8A | 127 BPM | ||
| Tre Danze Latine: I. Contradanza - Clarinet and Piano | Michele Mangani, Seunghee Lee, Steven Beck | A Minor | 0 | 8A | 142 BPM | ||
| Sicilienne | Maria Theresia von Paradis, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 121 BPM | ||
| 5 Bagatelles for clarinet and piano, Op. 23: 2. Romance - Andante tranquillo | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Minor | 0 | 4A | 67 BPM | ||
| Sextet for Wind Quintet & Piano, FP 100: I. Allegro vivace: Tres vite et emporte | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | A Minor | 1 | 8A | 140 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Sammy Nestico: Portrait of a Trumpet | Sammy Nestico, Richard Byrd | D Major | 1 | 10B | 71 BPM | ||
| Songs of a Wayfarer (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Clarinet Concerto No.2 in E-Flat Major, Op. 74: II. Romanza - Andante | Carl Maria von Weber, Sebastian Manz, Stuttgart Radio Symphony Orchestra, Antonio Méndez | G Minor | 0 | 6A | 77 BPM | ||
| Carmen Fantasy - II. Seguidilla: (Bizet) | Joseph Alessi | F Major | 1 | 7B | 71 BPM | ||
| I. Molto Tranquillo (Three Pieces for Clarinet Solo) | Igor Stravinsky, Sebastian Manz | F Major | 3 | 7B | 126 BPM | ||
| Clarinet Concerto in B-Flat Major, Op. 5: II. Adagio | Christian Wilhelm Westerhoff, Sebastian Manz, Osnabruck Symphony Orchestra, Hermann Bäumer | B♭ Major | 1 | 6B | 128 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| La Muerte del Angel | Astor Piazzolla, Richard Tognetti, Australian Chamber Orchestra, James Crabb, Benjamin Martin | A Minor | 2 | 8A | 147 BPM | ||
| Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
| II. Slow (New York Counterpoint for Clarinet & Tape) | Steve Reich, Sebastian Manz | F Major | 3 | 7B | 126 BPM | ||
| Nocturno, Op. 7 | Franz Strauss, Xiao-Ming Han, Rainer Müller-van Recum, Marc Engelhardt, Dora Bratchkova, Peter Schmalfuss | B♭ Major | 1 | 6B | 112 BPM | ||
| Sinfonia concertante in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Ramon Ortega Quero, Sebastian Manz, Theo Plath, Marc Gruber, Württembergische Philharmonie Reutlingen, Ola Rudner | E♭ Major | 0 | 5B | 64 BPM |