- BPM
- 163
- Key
- E♭ Minor
- Camelot
- 2A
Privilege: IV. They Get It by Ted Hearne, The Crossing, Donald Nally Song Details
"Privilege: IV. They Get It" by Ted Hearne, The Crossing, Donald Nally had its release date on March 24, 2017. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Privilege: IV. They Get It's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Ted Hearne: Sound from the Bench". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. The popularity of Privilege: IV. They Get It is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Privilege: IV. They Get It by Ted Hearne, The Crossing, Donald Nally having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -11.758 dB
- Acousticness
- 98%
- Danceability
- 38%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 80%
- Speechiness
- 8%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | |
 | Confused Love | Natalie Moulton | A♭ Minor | 2 | 1A | 96 BPM | |
 | Brontal No. 3: II. — | Scott Wollschleger, Red Light New Music, Ted Hearne | A♭ Major | 1 | 4B | 128 BPM | |
 | Requiem, Op. 9: VI. Agnus Dei (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 0 | 8B | 88 BPM | |
 | Monsoon | Thrya | E Major | 1 | 12B | 77 BPM | |
 | Sit Down Servant, Stacey V. Gibbs | Augustana Choir, Jon Hurty | E Minor | 2 | 9A | 94 BPM | |
 | Requiem for the Living: II. Vanitas vanitatum | Dan Forrest, University of Bielsko-Biala Choir, University of Bielsko-Biała Chamber Orchestra, Jan Borowski | D Major | 0 | 10B | 72 BPM | |
 | In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | |
 | Bridge to Gretna | Ted Hearne, Abby Fischer, Isaiah Robinson, Allison Semmes, Anthony Turner, Eileen Mack, Nathan Koci, Christopher Coletti, Taylor Levine, Batya Macadam-Somer, David Medine, Jody Redhage, Kris Saebo, Ron Wiltrout, David Hanlon | D Major | 2 | 10B | 105 BPM | |
 | To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | |
 | Ad genua | Anna Thorvaldsdottir, Carolyn Sampson, Choir of Clare College, Cambridge, Dmitri Ensemble, Graham Ross | A♭ Major | 1 | 4B | 91 BPM | |
 | Fairground | Duval Timothy, CJ Mirra, Roxanne Tataei | A Major | 1 | 11B | 70 BPM | |
 | A Sutured World: I. Take This Broken Wing... - Live | Liza Lim, Bavarian Radio Symphony Orchestra, Nicolas Altstaedt, Edward Gardner | D Major | 2 | 10B | 104 BPM | |
 | Requiem for the Living: V. Lux Aeterna | Dan Forrest, Bel Canto Company, Donovan Elliot, Jeremy Whitener, Welborn Young | A Major | 2 | 11B | 127 BPM | |
| To the Hands: No. 2, In Medio | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | G Minor | 1 | 6A | 103 BPM | |
 | David's Lamentation | Joshua Shank, University of South Dakota Chamber Singers, David Holdhusen | F Major | 3 | 7B | 137 BPM | |
 | Privilege: IV. They Get It | Ted Hearne, The Crossing, Donald Nally | E♭ Minor | 2 | 2A | 163 BPM | |
 | All-Night Vigil, Op. 37: V. Lord, Now Lettest Thou Thy Servant Depart in Peace | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Frank Fleschner | F♯ Major | 1 | 2B | 75 BPM | |
 | A Wedding Or... | Kemi Alabi, Ted Hearne, Seth Parker Woods | G Major | 3 | 9B | 120 BPM | |
 | Don't Look Down: III. Caton Flats | Christopher Cerrone, Sandbox Percussion, Conor Hanick | D Minor | 1 | 7A | 71 BPM | |
 | Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | |
 | S/As Boy/As a Boy | Ted Hearne | B♭ Minor | 5 | 3A | 120 BPM | |
 | String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | |
 | poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | |
 | Three Latin Motets: II. Ave, Maria | Cecilia McDowall, Phoenix Chorale, Charles Bruffy | B Major | 1 | 1B | 131 BPM |
- ISRC
- US3Q51710211
- Label
- L-M Records/RCA Records