On March 12, 1995, the song "Sharanu Ende Sharanu Bande" was released by Rajkumar. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 10 in Ayyappa Aradhane by Rajkumar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Sharanu Ende Sharanu Bande is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sharanu Ende Sharanu Bande by Rajkumar is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abhayavannu - Studio | Surekha, Shamitha | F♯ Minor | 8 | 11A | 106 BPM | ||
| Elli Rama Kirtane | Sri Ganapathy Sachchidananda Swamiji | A♭ Major | 8 | 4B | 145 BPM | ||
| Akka Pakka | Abhimann Roy, Chaitra H. G. | E Minor | 10 | 9A | 140 BPM | ||
| Naana Embudu | Mano | F Major | 7 | 7B | 161 BPM | ||
| Nadedu Barayya | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Nina Sinadha Kodaiya Nallu | Badaga Tunes | B♭ Minor | 9 | 3A | 85 BPM | ||
| Baaro Manake | Sri Vidyabhushana | G Major | 6 | 9B | 88 BPM | ||
| Pahi Rama Prabhu | N.S. Prakash Rao & Gopika Poornima | D♭ Major | 5 | 3B | 148 BPM | ||
| Mysorenaga Chamundiyagi | Sujatha Dutt | D Major | 6 | 10B | 100 BPM | ||
| BAARO NAMMA | P. Susheela | D Minor | 4 | 7A | 123 BPM | ||
| Veda Vanditha Adi Poojitha | Rajkumar | D Major | 3 | 10B | 113 BPM | ||
| Kunguma Archanai | Bombay Saradha | C Major | 3 | 8B | 111 BPM | ||
| Ullavaru | G. V. Atri | G Minor | 5 | 6A | 160 BPM | ||
| Hyanga Balaki Madabekanna | Shimoga Subbanna | A Minor | 6 | 8A | 131 BPM | ||
| Jaggadu Jaggadu | Hamsalekha, Rajkumar, Baraguru Ramachandrappa | F♯ Minor | 6 | 11A | 100 BPM | ||
| Nammamma Sharade | Narashima Naik, Purandara Dasaru | G Major | 8 | 9B | 115 BPM | ||
| Phaladaayaka Yamage | Rajkumar | B Major | 4 | 1B | 100 BPM | ||
| Paahi Paahimaam | Ganapathi Manthiram 4 | D Major | 3 | 10B | 52 BPM | ||
| Ithadokade | G Balakrishna Prasad | F Major | 7 | 7B | 130 BPM | ||
| Amma Yembu | Unnikrishnan | A Major | 6 | 11B | 105 BPM | ||
| Pata Pata Pari | Shabbir Dange, Chandrika Gururaj | B Minor | 10 | 10A | 81 BPM | ||
| Nagaloka Bhuviyali | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Bhagyada Lakshmi Baaramma - Female Vocals | Sangeeta Katti Kulkarni | B♭ Minor | 7 | 3A | 92 BPM | ||
| Enithu Pogalali Thaye | Rajkumar | E Major | 6 | 12B | 80 BPM | ||
| Gowriya Kandana Swami | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E Minor | 5 | 9A | 105 BPM |