Chet Baker's 'One With One' had a release date set for January 1, 1965. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 15 in Baby Breeze (Expanded Edition) by Chet Baker. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. One With One is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of One With One by Chet Baker is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stardust | Gerry Mulligan, Chet Baker | D♭ Major | 1 | 3B | 84 BPM | ||
| It's Easy To Remember - Take 11 | John Coltrane Quartet | F Minor | 2 | 4A | 100 BPM | ||
| You'd Be So Nice to Come Home To - 1990 Remaster | Bud Powell Trio | D Minor | 1 | 7A | 102 BPM | ||
| When I Fall In Love | Blue Mitchell | F Major | 0 | 7B | 96 BPM | ||
| Nice Work If You Can Get It - 1990 Remaster | Bud Powell Trio | A♭ Major | 3 | 4B | 131 BPM | ||
| Cosmic Rays | Charlie Parker Quartet | F Major | 2 | 7B | 132 BPM | ||
| Fantastic, That's You | Earl Hines | C Major | 1 | 8B | 68 BPM | ||
| Ecaroh | Wes Montgomery Trio | C Major | 2 | 8B | 98 BPM | ||
| How High The Moon | Chet Baker | A Minor | 1 | 8A | 115 BPM | ||
| One With One | Chet Baker | D Major | 1 | 10B | 61 BPM | ||
| Reunion | Gerry Mulligan, Chet Baker | A♭ Major | 2 | 4B | 112 BPM | ||
| Midnite Blue | Count Basie | A♭ Major | 1 | 4B | 83 BPM | ||
| Softly As In A Morning Sunrise | Wolfgang Lackerschmid, Chet Baker | E♭ Major | 1 | 5B | 69 BPM | ||
| La Plus Que Lente - Alternate Take | Gerry Mulligan Sextet | F♯ Major | 1 | 2B | 135 BPM | ||
| Li'l Darlin' - Live At The Tropicana Hotel, Las Vegas/1969 | Count Basie | C Major | 0 | 8B | 64 BPM | ||
| Come Sunday | Tommy Flanagan | D Minor | 1 | 7A | 120 BPM | ||
| Beats Up | Tommy Flanagan | C Major | 3 | 8B | 132 BPM | ||
| Are You Real | Art Blakey & The Jazz Messengers | A♭ Major | 7 | 4B | 108 BPM | ||
| 52nd Street Theme | Kenny Drew | D Minor | 5 | 7A | 161 BPM | ||
| Soul Eyes | John Coltrane Quartet | F Minor | 3 | 4A | 78 BPM | ||
| Misty - Remastered 2020 | Erroll Garner | F Major | 1 | 7B | 179 BPM | ||
| Polka Dots and Moonbeams | Chet Baker | D Minor | 1 | 7A | 120 BPM | ||
| Lullaby of Birdland | Bud Powell Trio | G Major | 3 | 9B | 118 BPM | ||
| Don't Take Your Love From Me | Johnny Hodges & His Orchestra | C Major | 1 | 8B | 178 BPM | ||
| Lonnie's Lament | John Coltrane Quartet | C Minor | 2 | 5A | 108 BPM |