CASIOPEA's 'Right On The Orbit' had a release date set for July 26, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "PLACES". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Japan. Right On The Orbit is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Right On The Orbit by CASIOPEA having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| キスカ | Tatsuro Yamashita | D♭ Major | 8 | 3B | 92 BPM | ||
| (Interlude) Are You Putting the Moves on Me? | PYRAMID | A♭ Minor | 5 | 1A | 112 BPM | ||
| Mystic Island | T-SQUARE | B Minor | 8 | 10A | 122 BPM | ||
| Love Was Really Gone - 2018 Remaster | Makoto Matsushita | E Minor | 7 | 9A | 87 BPM | ||
| Pick Up the Pieces | 石川 晶 | C Minor | 8 | 5A | 107 BPM | ||
| Nowin | Masaru Imada | C Major | 5 | 8B | 82 BPM | ||
| CALLING WAVES コーリング・ウェイブス | 菊池ひみこ | D Minor | 8 | 7A | 109 BPM | ||
| Business Man, Pt. 2 - Night Visions - - 2018 Remaster | Makoto Matsushita | B Minor | 8 | 10A | 125 BPM | ||
| Love on the Rocks | Shigeru Suzuki | D Major | 4 | 10B | 113 BPM | ||
| ルッキング・アップ | CASIOPEA | B Minor | 9 | 10A | 178 BPM | ||
| キャット | 鈴木 弘 | D♭ Major | 4 | 3B | 102 BPM | ||
| Misty Lady | Minoru Mukaiya | D Minor | 5 | 7A | 170 BPM | ||
| return to the journey | Cro-Magnon | A♭ Major | 7 | 4B | 164 BPM | ||
| TENSHU | Cro-Magnon | B♭ Major | 4 | 6B | 61 BPM | ||
| Scorch To Kirizumi | Yuji Ohno | D Minor | 3 | 7A | 120 BPM | ||
| FLOATING ON THE WAVES | Sadistics | D Major | 3 | 10B | 74 BPM | ||
| THE MESSAGE IN THE NIGHT "SMOOTH ROMANCE" | Issei Noro | D Major | 5 | 10B | 101 BPM | ||
| ウチュウノアバレンボー | かつしかトリオ | D♭ Major | 10 | 3B | 150 BPM | ||
| ミッドナイト・ランデブー | CASIOPEA | B Major | 7 | 1B | 106 BPM | ||
| Flight | Jeremy Ledbetter Trio | D♭ Major | 6 | 3B | 109 BPM | ||
| FUNKY PUNCH | JIMSAKU | B Major | 8 | 1B | 111 BPM | ||
| TRANSPARENCY | Issei Noro | F♯ Minor | 7 | 11A | 105 BPM | ||
| EASY WAY | Noriki | C Minor | 5 | 5A | 132 BPM | ||
| AGATHA | Tsuyoshi Kon | B Minor | 9 | 10A | 129 BPM | ||
| Seraphim (Angels) | caldera | B♭ Major | 7 | 6B | 80 BPM |