"Francesca da Rimini, Act I: Oimè che adesso io provo (Chorus)" by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Coro di Roma della RAI, Antonio Guarnieri had its release date on August 5, 2014. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Antonio Guarnieri, Maria Caniglia, Orchestra Sinfonica Nazionale della RAI di Roma, Giacinto Prandelli, Carlo Tagliabue, Mario Carlin, Ornella Rovero, Mario Tommasini. The song's track number on the album is #3 out of 24 tracks. Based on our data, Italy was the country where this track was produced or recorded. The popularity of Francesca da Rimini, Act I: Oimè che adesso io provo (Chorus) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act I: Oimè che adesso io provo (Chorus) by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Coro di Roma della RAI, Antonio Guarnieri has a tempo of 176 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Francesca da Rimini, Act I: Oimè che adesso io provo (Chorus) being at 176 BPM, the half-time would be 88 BPM with a double-time of 352 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live) | Riccardo Zandonai, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni | D♭ Minor | 2 | 12A | 176 BPM | ||
| Tosca, Act II: Tosca è un buon falco! | Giacomo Puccini, Ludovic Tezier, Nicolò Ceriani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Welcher Wahn! Welch' eitles Zürnen!" (Brangäne, Isolde) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Madama Butterfly, SC 74: Che giova? ... Io so che alle sue pene | Giacomo Puccini, Jonathan Tetelman, Rihab Chaieb, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 4 | 2B | 94 BPM | ||
| Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM | ||
| I cavalieri di Ekebu: Vi går tillsammans | Lars Cleveman, Malena Karlsson, Riccardo Zandonai, A. Rossato, M. Lindman | A Major | 1 | 11B | 100 BPM | ||
| Emigrantes: "Adiós, Granada" (Tordiyo) | Rafael Calleja, Tomás Barrera, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 68 BPM | ||
| Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Mia cara donna, voi m'attendevate? (Gianciotto, Francesca, Malatestino, La Voce del Prigioniero) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Philippe Roillon, Kenneth Riegel, Alexander Kravets | D Major | 1 | 10B | 74 BPM | ||
| Carmen / Act 2: Quintette: "Nous avons en tête une affaire!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Heinz Zednik, Gino Quilico, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 72 BPM | ||
| Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
| Tosca, Act I: "Mario!" - "Son qui!" | Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Major | 1 | 3B | 81 BPM | ||
| La Jolie Fille De Perth - Opéra En 4 Actes. Livret De Vernoy De Saint-Georges Et Adenis D'après Walter Scott. Version Originale Reconstituée Par David Lloyd Jones - Acte II - N°10 - Chanson À Boire : Tout Boit, Amis, Dans Ce Monde (Duc, Cho | Georges Bizet, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | D Minor | 3 | 7A | 62 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | ||
| Un ballo in maschera / Act 1: "Finisci il vaticinio" | Giuseppe Verdi, Plácido Domingo, Elena Obraztsova, Ruggero Raimondi, Giovanni Foiani, Renato Bruson, Luigi De Corato, Edita Gruberova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | ||
| Concerto andaluso, RZ 227: III. Finale. Allegro non troppo, ma brillante | Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino | G Major | 2 | 9B | 77 BPM | ||
| Mille diavoli ! Marmotta ! | Riccardo Zandonai, Gianandrea Gavazzeni | A Major | 1 | 11B | 95 BPM | ||
| Puccini: Tosca, Act 2 Scene 1: "Tosca è un buon falco!" (Scarpia, Sciarrone) | Giacomo Puccini, Tito Gobbi, Ugo Trama, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: Oh! No, no! Non sono io! | Riccardo Zandonai, Christina Vasileva, Benedicte Tauran, Kim-Lillian Strebel, Marija Jokovic, Sally Wilson, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 0 | 7A | 84 BPM | ||
| Gianni Schicchi: E non c'è nessun mezzo... | Giacomo Puccini, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Minor | 1 | 5A | 114 BPM | ||
| I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | ||
| Nabucco / Act 1: Lo vedeste! | Giuseppe Verdi, Anna D'Auria, Carlo Cava, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | E Major | 2 | 12B | 126 BPM | ||
| Adriana Lecouvreur - Intermezzo sinfonico | Riccardo Zandonai, Franco Capuana | D Minor | 1 | 7A | 80 BPM |