"The Scar" by Rob Simonsen had its release date on April 21, 2015. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. The Scar's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Age of Adaline (Original Motion Picture Score)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. The Scar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Scar by Rob Simonsen having a BPM of 44 with a half-time of 22 BPM and a double-time of 88 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Different Kinds Of Cry | Alexis Grapsas | B♭ Major | 0 | 6B | 84 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| The Book | Amelia Warner | A Minor | 3 | 8A | 120 BPM | ||
| Rooftop Kiss | James Horner | G Major | 0 | 9B | 70 BPM | ||
| Remember Me | Sid Acharya | A Minor | 1 | 8A | 75 BPM | ||
| ...Slowly We Fell Into Slumber And I Held You Until the End Of Time | Ursine Vulpine | A Minor | 1 | 8A | 78 BPM | ||
| Distant Lives (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E♭ Major | 0 | 5B | 55 BPM | ||
| Never did run smooth | Max Richter | E♭ Minor | 1 | 2A | 98 BPM | ||
| Climbing The Wall | Dario Marianelli | D Major | 1 | 10B | 80 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Marlo and Ray | Nathan Barr | D Minor | 0 | 7A | 73 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| Sunlit Kiss | Rael Jones, Anthony Weeden | C Major | 0 | 8B | 76 BPM | ||
| The Prize Of One's Life... The Prize Of One's Mind | James Horner | G Major | 0 | 9B | 76 BPM | ||
| Biplane | Andrew Lockington | C Major | 4 | 8B | 114 BPM | ||
| Verdict | Nico Muhly | A♭ Major | 1 | 4B | 70 BPM | ||
| Love At First Sight | Alan Menken | G Major | 1 | 9B | 64 BPM | ||
| Sutter and Amy | Rob Simonsen | B♭ Minor | 1 | 3A | 100 BPM | ||
| South American Puma | Jacob Shea | F Major | 2 | 7B | 73 BPM | ||
| "Jellyfish" | John Williams | F♯ Minor | 2 | 11A | 81 BPM | ||
| King's Cross | Amelia Warner | D Minor | 3 | 7A | 109 BPM | ||
| A New Day Beckons | Antony Partos | B Minor | 1 | 10A | 88 BPM | ||
| Someone Is Watching | Dario Marianelli | C Minor | 2 | 5A | 66 BPM |