"Lim Cosmic Rhapsody for Piano and Orchestra, Act II: IV: The ALANaut Song" by Manu Martin, Jean-Yves Thibaudet, London Voices, Royal Philharmonic Orchestra, Robert Ziegler had its release date on May 2, 2025. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Manu Martin, Jean-Yves Thibaudet, London Voices, Royal Philharmonic Orchestra, Robert Ziegler's "Lim Cosmic Rhapsody for Piano & Orchestra" album is number 8 out of 33. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Lim Cosmic Rhapsody for Piano and Orchestra, Act II: IV: The ALANaut Song is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lim Cosmic Rhapsody for Piano and Orchestra, Act II: IV: The ALANaut Song by Manu Martin, Jean-Yves Thibaudet, London Voices, Royal Philharmonic Orchestra, Robert Ziegler to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Minuet in G Major Variation (After Notebook for Anna Magdalena Bach, BWV Anh.116, No. 7: Menuet in G Major) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | E Major | 3 | 12B | 88 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| Kung Fu Panda Suite: Part 1 | John James Powell, Henry Jackman, Hans Zimmer, Pedro Eustache, Aleksandra Suklar, Luis Ribeiro, Lucy Landymore, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| My Father's Favourite | Patrick Doyle, Tony Hymas, Robert Ziegler, Jonathan Snowdon, Robert Hill, Richard Morgan | A♭ Major | 1 | 4B | 59 BPM | ||
| DNA (Arr. Knoth for Piano Quintet) | Ludovico Einaudi, Mari Samuelsen, Karolina Errera, Alexander Kovalev, Otto Tolonen, Julien Quentin | D♭ Minor | 1 | 12A | 94 BPM | ||
| Las mil y una noche: 1. La primera noche | Juan Pablo Fernández Ramos | D Minor | 1 | 7A | 69 BPM | ||
| GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM | ||
| Autumn Leaves | Joseph Kosma, Gautier Capuçon, Jerome Ducros | A Minor | 3 | 8A | 104 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
| Lawrence of Arabia Theme | Philharmonia Orchestra | E Minor | 2 | 9A | 77 BPM | ||
| Slavonic Dances, Series II, B. 147: No. 2 in E Minor, Mazur. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 133 BPM | ||
| 6 Romances, Op. 16: No. 1, Lullaby (Cradle Song) [Version for Piano] | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 133 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
| Lakmé: Flower Duet (Arr. for Violin and Strings by Vivan & Ketan Bhatti) | Léo Delibes, Esther Abrami | B Major | 1 | 1B | 82 BPM | ||
| Track 1 | Eunike Tanzil, Deutsches Symphonie-Orchester Berlin, Anna Handler | D Major | 3 | 10B | 63 BPM | ||
| Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. Casals for Violin and Piano) | Gabriel Fauré, Daniel Lozakovich, Hélène Mercier | F Minor | 1 | 4A | 83 BPM | ||
| The Ghorman Waltz | Nicholas Britell | E Major | 1 | 12B | 127 BPM | ||
| Springtime Suite: I | Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny | B♭ Major | 1 | 6B | 81 BPM | ||
| Eve & Frank | Brad Kella | C Major | 1 | 8B | 78 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | ||
| Lim Fantasy of Companionship for Piano and Orchestra, Act 6: Teleportation | Manu Martin, Joi Barua, Susan Lim, London Symphony Orchestra, Arthur Fagen, London Voices, Tedd Joselson, Matthieu Eymard | F♯ Minor | 5 | 11A | 136 BPM | ||
| Reports from Godmersham | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM | ||
| Zelda's Lullaby (Arr. Clements for Vocal Ensemble & Harp) | VOCES8, Lise Vandersmissen | E♭ Major | 1 | 5B | 74 BPM |