"歌曲集「こんな日 こんな夜」 II. 空の貝殻・・・" by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) had its release date on March 31, 1999. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in プーランク歌曲集全101曲, so we believe that "歌曲集「こんな日 こんな夜」 II. 空の貝殻・・・" is a single. 歌曲集「こんな日 こんな夜」 II. 空の貝殻・・・ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 歌曲集「こんな日 こんな夜」 II. 空の貝殻・・・ by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | B♭ Major | 0 | 6B | 119 BPM | ||
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
| Oboe Concerto, H. 353: III. Poco allegro | Bohuslav Martinů, Stefan Schilli, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons | D Minor | 2 | 7A | 109 BPM | ||
| Velvet Valves (Six Romantic Trio Arrangements): Romance (After Georges Bizet) | David Riniker, Sarah Willis, Kotowa Machida, Philip Mayers, Klaus Wallendorf | A Minor | 0 | 8A | 90 BPM | ||
| Suite for flute and piano, Op. 116: II. Idylle | Benjamin Godard, Jeffrey Khaner | G Major | 0 | 9B | 83 BPM | ||
| Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): II. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 134 BPM | ||
| Schumann: Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Major | 0 | 11B | 114 BPM | ||
| Die Zauberflote (The Magic Flute), K. 620 (arr. J. Heidenreich) : Act II: Pa-Pa-Pa-Pa-Pa-Papagena! Bist du mir nun ganz gegeben? | Saxonian Woodwind Academy | E♭ Major | 1 | 5B | 115 BPM | ||
| 歌曲集「平凡な話」 V. すすり泣き | F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) | G Minor | 1 | 6A | 105 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 3 in B-Flat Major, Romanza. Allegro | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | G Major | 2 | 9B | 121 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| ホルンとトランペットとトロンボーンのためのソナタ Ⅱ. Andante | F. プーランク, 東京メトロポリタン・ブラス・トリオ, 高橋敦(トランペット), 西條貴人(ホルン), 小田桐寛之(トロンボーン) | B♭ Minor | 0 | 3A | 70 BPM | ||
| Tandem: III. Rustico | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | F♯ Minor | 1 | 11A | 74 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | D Minor | 0 | 7A | 90 BPM | ||
| Préludes, Book 1, CD 125, L. 117: VIII. La fille aux cheveux de lin (Arr. for Flute & Piano by Ana de la Vega) | Claude Debussy, Ana de la Vega, Paul Rivinius | G Major | 0 | 9B | 91 BPM | ||
| 3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
| Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Oboe Sonata, FP 185: I. Élégie. Paisiblement | Francis Poulenc, Olivier Doise, Alexandre Tharaud | B♭ Minor | 0 | 3A | 66 BPM | ||
| Andante et rondo, Op. 25: No. 2, Rondo | Franz Doppler, Karl Doppler, Wolfgang Schulz, Matthias Schulz, Ferenc Bognar | C Major | 1 | 8B | 115 BPM | ||
| Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | D Minor | 0 | 7A | 90 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: II. Adagio, ma non troppo | Carl Maria von Weber, Walter Boeykens, James Conlon, Rotterdams Philharmonisch Orkest | C Major | 0 | 8B | 95 BPM |