On 2004, the song "Main Hoon Chhori Malan Ki" was released by Rekha Rao. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in Rekha Rao's "Ghoomar Vol.1" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Main Hoon Chhori Malan Ki is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Main Hoon Chhori Malan Ki by Rekha Rao to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| Ranat Bhanwar Syu Aawiya | Supriya | E Major | 7 | 12B | 132 BPM | ||
| Hey Ladli Radhey | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Mohe Khatiya Pe Khatmal Kate | Arun Bakshi, Rekha Rao | E Major | 7 | 12B | 79 BPM | ||
| Vo dekho chor hari | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Daasi Hu Teri Shyama | Sadhvi Purnima Ji | D Major | 7 | 10B | 103 BPM | ||
| Sanvare Tu Hai Thanedar Mujhko Kar Le Giraftar | Gokul Sharma | A Major | 10 | 11B | 110 BPM | ||
| Meera Bhajan - Mohan Aao Toh Sahi | Rekha Rao | A♭ Minor | 9 | 1A | 94 BPM | ||
| Vrishbhanu Ki Dulari Badi Pyari | Sadhvi Purnima Ji | E Minor | 9 | 9A | 115 BPM | ||
| Kaisa Pyara ye Darbar hai | Mayank Agarwal | A♭ Major | 8 | 4B | 91 BPM | ||
| Mara Sanvariya Ke Note Ganera Thoda Thoda Sab Ne Bate Re | Balkishan Prajapat, Sarita Parjapat | F Minor | 8 | 4A | 144 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Ujjain Ke Mahakaal | Shahnaaz Akhtar | A♭ Major | 8 | 4B | 150 BPM | ||
| Sanwariya Thari Maya Ro Payo Koni Par | Gokul Sharma | A♭ Major | 9 | 4B | 136 BPM | ||
| Raja Ji Khajanwa Deda | Pandit Gaurangi Gauri Ji | E♭ Minor | 9 | 2A | 96 BPM | ||
| Holi Khelan Aayo Shyam | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM | ||
| Kahe Roye Yhan Tero Koinhi | Chotu Singh Rawna | C Major | 8 | 8B | 142 BPM | ||
| Mere Giniyo Na Apradh Ladli Shri Radhe | Roshni Pandey | B♭ Major | 9 | 6B | 106 BPM | ||
| Pallo Latke | Rekha Rao, Tejkaran Rao | A♭ Major | 8 | 4B | 99 BPM | ||
| Mata Meri Mata | Lakhbir Singh Lakkha | F♯ Minor | 8 | 11A | 104 BPM | ||
| Kanhaiya Meri Laaj Rakhna | Reshmi Sharma | D♭ Minor | 10 | 12A | 115 BPM | ||
| Mehndi Rachan Lagi | Prakash Mali | A♭ Major | 9 | 4B | 82 BPM | ||
| Banoge Radha To Ye Janoge | Mukesh Bagda | C Minor | 7 | 5A | 144 BPM | ||
| Mai Sabse Badi Hai Tu | Riza Khan, Bali Thakre | E Major | 8 | 12B | 104 BPM | ||
| Saanso Ki Mala Pe Simru Me Sitaram | Ashok Bhayani | E Major | 8 | 12B | 86 BPM |