"Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 9. Var. VIII: Andante con moto" by Max Reger, Bamberg Symphony, Horst Stein had its release date on June 29, 2018. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Variations, Suites, Romances" album is number 19 out of 56. On top of that, Germany appears to be the country where this track was created. Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 9. Var. VIII: Andante con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 9. Var. VIII: Andante con moto by Max Reger, Bamberg Symphony, Horst Stein to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Romances sans paroles: No. 4, Le calme, CG 2e | Charles Gounod, Warren Lee | D♭ Major | 1 | 3B | 73 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Piano Concerto No. 1 in C Minor, Op 33: III. Coda. Allegro molto | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | F♯ Major | 1 | 2B | 105 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | A♭ Major | 0 | 4B | 128 BPM | ||
| Prelude in E Minor | Fanny Mendelssohn, Beatrice Rauchs | E Minor | 0 | 9A | 84 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Love Like the Dawn Came Stealing - Duo-Art 6079 | Charles Cadman, Peter Phillips | A♭ Major | 0 | 4B | 128 BPM | ||
| イエスよ、私は主の名を呼ぶ BWV639 | Meiko Miyazawa | F Minor | 0 | 4A | 128 BPM | ||
| Elegie I. In Memoriam: Adagio | Lodewijk Mortelmans, Brussels Philharmonic, Silveer Vandenbroeck | A♭ Major | 0 | 4B | 128 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Songs of Farewell: There is an Old Belief | Hubert Parry, Tenebrae, Nigel Short | G Major | 0 | 9B | 62 BPM | ||
| Forgotten Melodies I, Op. 38: II. Danza Graziosa | Nikolai Medtner, Geoffrey Tozer | A Major | 2 | 11B | 109 BPM | ||
| Lieder ohne Worte, Op. 53: No. 5 in A Minor. Allegro con fuoco, MWV U 153 "Folksong" | Felix Mendelssohn, Igor Levit | A Minor | 2 | 8A | 144 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | E♭ Major | 0 | 5B | 174 BPM | ||
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
| Nachtlied | Max Reger, Jugendchor Hochtaunus, Tristan Meister, Nikolaus Fluck, Johanna Beier | B Minor | 1 | 10A | 80 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Poeme in D-Flat Major, Op. 39a | Zdeněk Fibich, Deutsche Streicherphilharmonie, Wolfgang Hentrich | D Major | 1 | 10B | 89 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | A♭ Major | 0 | 4B | 128 BPM | ||
| Grieg: Lyric Pieces, Book 3, Op. 43: No. 5, Erotikon | Edvard Grieg, Leif Ove Andsnes | F Major | 0 | 7B | 70 BPM | ||
| Nielsen: 5 Piano Pieces, Op. 3: No. 1, Folk Tune | Carl Nielsen, Leif Ove Andsnes | C Major | 0 | 8B | 76 BPM | ||
| Gammal fabodpsalm fran Dalarna: No. 1 in A Major (arr. J. Johansson for orchestra) [Old Pastoral Hymn from Dalecarlia] | Wilhelm Stenhammar, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | A Major | 2 | 11B | 85 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM |