"Mike Is Dead" by Nathan Barr, Lisbeth Scott had its release date on October 3, 2024. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Salem's Lot (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Mike Is Dead is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mike Is Dead by Nathan Barr, Lisbeth Scott having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remembering Gerry | Anne Nikitin | G Major | 0 | 9B | 82 BPM | ||
| Midnight Research | Amie Doherty | F♯ Major | 2 | 2B | 80 BPM | ||
| It's Over | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| I'm Leaving | Steffen Thum | F Major | 1 | 7B | 66 BPM | ||
| Midnight Party | Anne Nikitin | G Major | 0 | 9B | 82 BPM | ||
| A Good Choice | Steven Price | D Minor | 0 | 7A | 80 BPM | ||
| She’s Pregnant | Andrew Lockington | B♭ Minor | 0 | 3A | 190 BPM | ||
| Bedtime Story | Pinar Toprak | D♭ Major | 6 | 3B | 125 BPM | ||
| The Final Act | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| An Ordeal of the Most Grievous Kind | Jeff Danna | C Major | 2 | 8B | 120 BPM | ||
| Prophecies and Dreams | Debbie Wiseman | F Major | 0 | 7B | 132 BPM | ||
| A Un Costado | Hasta El Final | A Minor | 3 | 8A | 108 BPM | ||
| Benji's Speech | Rupert Gregson-Williams | D Major | 2 | 10B | 140 BPM | ||
| Anna Regina | Debbie Wiseman | G Minor | 1 | 6A | 115 BPM | ||
| You Must Trust Me | Nathan Barr | B Minor | 4 | 10A | 100 BPM | ||
| Siren Seductions | Michael Abels | D♭ Minor | 2 | 12A | 106 BPM | ||
| The Party | Nathan Barr | B♭ Major | 2 | 6B | 100 BPM | ||
| Golden Hour | Miljan Minic, Chords And Hearts | C Minor | 0 | 5A | 74 BPM | ||
| Altair | Keramet Boyukcol, Kukando | G Major | 4 | 9B | 110 BPM | ||
| In The Court | Nathan Barr | D Major | 3 | 10B | 146 BPM | ||
| She's Been Right By Everything Else | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 115 BPM | ||
| Salve! | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| En El Dia De Hoy | Las Eternas | B♭ Major | 1 | 6B | 140 BPM | ||
| PILLS | Atobare | A Minor | 8 | 8A | 80 BPM | ||
| Non Changers | Danny Bensi and Saunder Jurriaans | G Major | 0 | 9B | 104 BPM |