"Melancholia: Variation I. Più mosso" by Cheryl Frances-Hoad, The London Mozart Trio had its release date on July 21, 2011. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Melancholia: Variation I. Più mosso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 26 in Frances-Hoad: Chamber Works by Cheryl Frances-Hoad, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Melancholia: Variation I. Più mosso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Melancholia: Variation I. Più mosso by Cheryl Frances-Hoad, The London Mozart Trio is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| Hodie Christus natus est, SWV 456 | Heinrich Schütz, Il Pomo D'oro, Giuseppe Maletto | F Major | 1 | 7B | 114 BPM | ||
| One Life Stand: VI. Rubbish at Adultery | Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton | G Major | 1 | 9B | 78 BPM | ||
| The Passing of the Year: No. 5, Ah, Sun-flower! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | A Minor | 0 | 8A | 69 BPM | ||
| Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | ||
| A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| One Life Stand: I. Brief Encounter | Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton | G Major | 1 | 9B | 78 BPM | ||
| Composizioni per Organo e Cembalo: Intonazione cromatica del terzo tono | Tarquinio Merula, Bernard Foccroulle | E♭ Minor | 1 | 2A | 90 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| Evensong Mvt. 1 | Evan Byler, Rachael Lofgren, Cantate Domino, Seth Bergey | E♭ Major | 1 | 5B | 135 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Katharsis: I. Prelude | Cheryl Frances-Hoad, David Cohen, Paul Hoskins, Rambert Orchestra | G Minor | 0 | 6A | 88 BPM | ||
| Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Miserere mei Deus | William Byrd, Contrapunctus, Owen Rees | E Minor | 1 | 9A | 76 BPM | ||
| A Child's Prayer | James MacMillan, Rakel Edda Guðmundsdóttir, Ragnheiður Sara Grímsdóttir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | E Minor | 1 | 9A | 129 BPM | ||
| And There Was Light | Matthew Coleridge, Rupert Gough, Southern Sinfonia, Maxim Calver | C Major | 0 | 8B | 82 BPM |