- BPM
- 82
- Key
- C Major
- Camelot
- 8B
And There Was Light by Matthew Coleridge, Rupert Gough, Southern Sinfonia, Maxim Calver Song Details
"And There Was Light" by Matthew Coleridge, Rupert Gough, Southern Sinfonia, Maxim Calver had its release date on March 3, 2023. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg, Andrew Thompson's "Matthew Coleridge: Requiem" album is number 8 out of 14. And There Was Light is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of And There Was Light by Matthew Coleridge, Rupert Gough, Southern Sinfonia, Maxim Calver to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -31.406 dB
- Acousticness
- 84%
- Danceability
- 8%
- Energy
- 2%
- Instrumentalness
- 88%
- Liveness
- 12%
- Loudness
- 48%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Melancolie (Arr. for Violin and Orchestra from Moments of Solitude by Ben Palmer) | Ole Bull, Eldbjørg Hemsing, Arctic Philharmonic | D Minor | 2 | 7A | 91 BPM | |
 | Great God of Love | Robert Lucas Pearsall, The Choir of Royal Holloway, Rupert Gough | D Major | 1 | 10B | 78 BPM | |
 | Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | |
 | Concertino for Clarinet and Strings (Mvt II) | Charles Camilleri, jessicaellulmusic | D Minor | 0 | 7A | 142 BPM | |
 | Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | |
 | Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | |
 | Variation 9: Nimrod) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 83 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Alleluia, I Heard A Voice | Thomas Weelkes, Samuel Rathbone, The Choir of Royal Holloway, Rupert Gough | A♭ Minor | 1 | 1A | 131 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | A Major | 1 | 11B | 70 BPM | |
 | Rex Tremendae | Matthew Coleridge, RSVP Voices, Rob Johnston, Guy Johnston, Stephen Farr | D Minor | 0 | 7A | 81 BPM | |
 | On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | |
 | Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | |
 | 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | |
 | Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | |
 | Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | |
 | Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | |
 | Amen | Laestadian Lutheran Church, Anna-Kaisa Roiko | G Major | 1 | 9B | 148 BPM | |
 | Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | |
 | Office Hymn - Jesus Calls Us! O'er the Tumult | Wells Cathedral Choir, Rupert Gough | B♭ Major | 0 | 6B | 99 BPM | |
 | Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | |
 | Lux stellarum: III. Stars | Oliver Tarney, The Choir of Royal Holloway, Rupert Gough, Andrew Dewar | B Minor | 1 | 10A | 136 BPM | |
 | Stabat Mater: II. Cujus animam gementem | Clive Osgood, The Choir of Royal Holloway, London Mozart Players, Rupert Gough | G Minor | 0 | 6A | 138 BPM | |
 | Ego sum panis, Op. 9 No. 1: Ego sum panis, Op. 9 No. 1 | Flor Peeters, The Choir of Royal Holloway, George Nicholls, Rupert Gough | C Major | 1 | 8B | 73 BPM | |
 | Missa in honorem Sanci Josephi, Op. 21: II. Gloria | Flor Peeters, The Choir of Royal Holloway, George Nicholls, Rupert Gough | F Major | 1 | 7B | 81 BPM |
- ISRC
- UK2382208108
- Label
- L-M Records/RCA Records