Dixit Dominus, HWV 232: Iuravit Dominus by George Frideric Handel, The Scholars Baroque Ensemble Song Details

"Dixit Dominus, HWV 232: Iuravit Dominus" by George Frideric Handel, The Scholars Baroque Ensemble had its release date on November 5, 1999. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Dixit Dominus, HWV 232: Iuravit Dominus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Dixit Dominus / Salve Regina / Nisi Dominus" album is number 4 out of 18. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Dixit Dominus, HWV 232: Iuravit Dominus is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Dixit Dominus, HWV 232: Iuravit Dominus by George Frideric Handel, The Scholars Baroque Ensemble to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -15.065 dB
Acousticness: 98%
Danceability: 50%
Energy: 22%
Instrumentalness: 0%
Liveness: 31%
Loudness: 75%
Speechiness: 4%
Valence: 12%

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