"This Is It, Rio!" by Ian Arber had its release date on December 2, 2016. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ian Arber's "I Am Bolt (Original Motion Picture Score)" album is number 14 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, This Is It, Rio! is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of This Is It, Rio! by Ian Arber to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Get off the Plane | Ian Arber | D Major | 2 | 10B | 120 BPM | ||
| Planetary Forces | Anže Rozman, Andrew Christie | D Major | 2 | 10B | 80 BPM | ||
| The Gold Medal | Ian Arber | D Major | 2 | 10B | 120 BPM | ||
| Sabotage | Dave Rowntree, Ian Arber | D♭ Major | 0 | 3B | 114 BPM | ||
| Leaving | Jed Kurzel | G Major | 1 | 9B | 113 BPM | ||
| Intro La Fiera | Roque Baños | D Major | 2 | 10B | 120 BPM | ||
| Cartas De Despedida | Verdes Atardeceres | C Minor | 3 | 5A | 100 BPM | ||
| Sardinia | Atli Örvarsson | G Minor | 3 | 6A | 82 BPM | ||
| Paciencia Necesaria | Casualidades Del Destino | A Minor | 0 | 8A | 102 BPM | ||
| Back to Myself | Samira Bashirova, Sgold | B Minor | 3 | 10A | 71 BPM | ||
| Every Door | Jeff Beal | D Minor | 4 | 7A | 86 BPM | ||
| Cells Die After Infection | Atli Örvarsson, Kjartan Holm, Sin Fang | D Major | 2 | 10B | 120 BPM | ||
| Echoes Beyond the Event Horizon | Adrian Valkor | D Major | 2 | 10B | 120 BPM | ||
| Blended | Eldar Dadashov, Edmelody | B Minor | 2 | 10A | 74 BPM | ||
| I Was Petrified Of Sharks | Roger Goula, Sam Thompson | G Major | 5 | 9B | 176 BPM | ||
| March of the Unmade (Constructs) | Scott Buckley | D Major | 2 | 10B | 120 BPM | ||
| Dominate Dominate | Xhosa Zediah | B♭ Major | 0 | 6B | 220 BPM | ||
| The New Man | Leopold Ross, Nick Chuba | E Major | 2 | 12B | 93 BPM | ||
| Joint Press Conference | Marcelo Zarvos | D♭ Minor | 3 | 12A | 130 BPM | ||
| The First Hearing | Blair Mowat | D♭ Major | 3 | 3B | 86 BPM | ||
| Rorschach | Brian Tyler | A Minor | 3 | 8A | 86 BPM | ||
| Atlantida | Dabby West, Dabian Mimto | A♭ Major | 6 | 4B | 95 BPM | ||
| Contraposiciones | Verdes Atardeceres | B♭ Minor | 3 | 3A | 115 BPM | ||
| Impetus | Scott Buckley | D Major | 2 | 10B | 120 BPM | ||
| Beverly Hills | Aysel Kazim, Selenay Kazim | C Minor | 3 | 5A | 85 BPM |