Messiah, HWV 56, Part I: No. 13, Pifa by George Frideric Handel, London Symphony Orchestra, Sir Colin Davis Song Details

George Frideric Handel, London Symphony Orchestra, Sir Colin Davis's ' "Messiah, HWV 56, Part I: No. 13, Pifa" was released on its scheduled release date, October 9, 2007. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles, Tenebrae's "Handel: Messiah" album is number 14 out of 53. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56, Part I: No. 13, Pifa is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Messiah, HWV 56, Part I: No. 13, Pifa by George Frideric Handel, London Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -21.81 dB
Acousticness: 96%
Danceability: 42%
Energy: 13%
Instrumentalness: 0%
Liveness: 7%
Loudness: 64%
Speechiness: 3%
Valence: 58%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Messiah, HWV 56: Pastoral Symphony	George Frideric Handel, Bratislava City Chorus, Capella Istropolitana, Jaroslav Krcek	D Major	2	10B	111 BPM
Gloria, RV 589: XII. Cum Sancto Spiritu	Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston	D♭ Major	2	3B	96 BPM
The First Noël	Anonymous, I Solisti Di Duino, Antonio Pellegrino	C Major	1	8B	73 BPM
Joseph Est Bien Marié	Apollo's Fire	D♭ Minor	1	12A	100 BPM
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro	Henry Purcell, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields	D Major	2	10B	77 BPM
Adeste Fideles (O Come All Ye Faithful) - Arr. For String Orchestra	Metamorphose String Orchestra, Pavel Lyubomudrov	B♭ Major	4	6B	144 BPM
Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus)	Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann	A Minor	1	8A	70 BPM
Ballet - Praetorius	Mannheim Steamroller	G Major	3	9B	111 BPM
Concerto Grosso No. 8 In G Minor, Op. 6 ""Christmas Concert"": II. Allegro	Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory, Genadi Cherkasov	G Major	1	9B	88 BPM
Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : II. Allegro	Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana	G Minor	3	6A	173 BPM
Wachet auf, ruft uns die Stimme, BWV 140: VII. Chorale. Gloria sei dir gesungen	Johann Sebastian Bach, Anthony Robson, Richard Earle, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	D Major	1	10B	100 BPM
Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : III. Adagio - Allegro - Adagio	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	C Major	1	8B	122 BPM
Gloria in D Major, RV 589: 1. Gloria in excelsis Deo	Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste	G Minor	2	6A	103 BPM
Pifa (Pastoral Symphony) - Live	George Frideric Handel, Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle	C Major	0	8B	68 BPM
Corelli: Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio - Allegro	Arcangelo Corelli, Claudio Scimone, I Solisti Veneti	E♭ Major	1	5B	104 BPM
II. Comfort ye my people	London Philharmonic Orchestra	B Major	2	1B	77 BPM
Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio - Allegro - Adagio	Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla	E♭ Major	0	5B	122 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio	Tomaso Albinoni, Stefan Schilli, Cologne Chamber Orchestra, Helmut Muller-Bruhl	B♭ Major	0	6B	88 BPM
Rosamunde Overture	Franz Schubert, George Szell, The Cleveland Orchestra	C Major	1	8B	133 BPM
Messiah, HWV 56: Part 1: Comfort ye my people (Accompagnato)	Nikolaus Harnoncourt	B♭ Major	1	6B	175 BPM
Concerto in G Major, S. 213: V. Loure. Cantabile	Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel	D♭ Minor	1	12A	85 BPM
Messiah: Part 1, Every valley shall be exalted (Air, Tenor)	The Sixteen	E♭ Major	2	5B	103 BPM
Concerto grosso in F Major, Op. 6, No. 2: III. Grave - Andante Largo	Arcangelo Corelli, The English Concert, Trevor Pinnock	G Major	1	9B	138 BPM
Charpentier : In nativitatem Domini canticum H416 : I "Usquequo avertis faciem tuam"	Marc-Antoine Charpentier, William Christie	D Major	1	10B	85 BPM
Charpentier: Messe de minuit pour noël, H. 9: VII. Sanctus	Marc-Antoine Charpentier, Les Arts Florissants, William Christie	C Major	1	8B	84 BPM