Patti Page's 'Confess' had a release date set for September 1, 1950. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Confess's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Patti Page". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Confess is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Confess by Patti Page having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Somebody Thinks You're Wonderful - Remastered | Fats Waller | B♭ Major | 2 | 6B | 111 BPM | ||
| Exactly Like You | Martha Tilton, The Carl Kresstette | A♭ Major | 2 | 4B | 149 BPM | ||
| A Mile Down the Highway | Shorty Rodgers and His Orchestra, The Giants | D♭ Major | 3 | 3B | 122 BPM | ||
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| All By Myself - 2006 Remaster | Sue Raney | F♯ Major | 0 | 2B | 98 BPM | ||
| Mister And Mississippi | Patti Page | B♭ Minor | 2 | 3A | 113 BPM | ||
| Little Things Mean a Lot | Joni James | B Major | 1 | 1B | 110 BPM | ||
| Wonder Why - Remastered | Joni James | F♯ Minor | 3 | 11A | 87 BPM | ||
| Don't Let The Sun Catch You Cryin' | Louis Jordan | G Minor | 1 | 6A | 86 BPM | ||
| In My Little Corner of the World | Anita Bryant | B Major | 1 | 1B | 110 BPM | ||
| I'll Always Love You | Martha Tilton | A♭ Major | 2 | 4B | 134 BPM | ||
| Who Will the Next Fool Be | Charlie Rich | C Minor | 5 | 5A | 98 BPM | ||
| I've Been In Love Before | Marlene Dietrich | D Major | 1 | 10B | 171 BPM | ||
| Chain | Martha Perez | B Major | 1 | 1B | 110 BPM | ||
| Always | Joni James | D♭ Major | 1 | 3B | 75 BPM | ||
| I've Got A Feeling I'm Falling | Gene Austin | E♭ Major | 1 | 5B | 131 BPM | ||
| Old Cape Cod | Patti Page | E Major | 2 | 12B | 43 BPM | ||
| Breezin' Along With The Breeze | The Four Lads | F Major | 5 | 7B | 127 BPM | ||
| Come What May | Patti Page | B♭ Minor | 2 | 3A | 113 BPM | ||
| Every Time We Say Goodbye | Benny Goodman | A♭ Major | 1 | 4B | 84 BPM | ||
| I Can't Forget | Patsy Cline, Anita Kerr Singers | G Major | 1 | 9B | 102 BPM | ||
| The Nearness of You - Remastered | Joni James | D Minor | 1 | 7A | 80 BPM | ||
| If I Could Be with You (One Hour Tonight) | Kay Starr | B Major | 1 | 1B | 110 BPM | ||
| Stranger on the Shore | Anita Bryant | B Major | 1 | 1B | 110 BPM | ||
| My Foolish Heart | Margaret Whiting | E Major | 1 | 12B | 85 BPM |