"Sergio Leone Suite: Sergio Leone Suite: I. Deborah’s Theme from Once Upon a Time in America" by Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone had its release date on January 14, 2022. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kinga Ujszászi, Tom Foster, Dmitri Shostakovich, Novus Quartet, Johann Sebastian Bach, Anthony Romaniuk, Toshiyuki Shibata, Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone's "Morricone: Cinema Suites for Violin and Orchestra" album is number 1 out of 21. On top of that, France appears to be the country where this track was created. Sergio Leone Suite: Sergio Leone Suite: I. Deborah’s Theme from Once Upon a Time in America is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sergio Leone Suite: Sergio Leone Suite: I. Deborah’s Theme from Once Upon a Time in America by Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto pour piano et orchestre en do majeur, No. 21, KV 467: II. Andante | Budapest Symphony Orchestra, Mara Dobrescu | F Major | 1 | 7B | 179 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| La voce della luna | Nicola Piovani | C Major | 2 | 8B | 131 BPM | ||
| Amarcord: Theme | Nino Rota, Marco Albonetti, Roma Sinfonietta, Paolo Silvestri | B♭ Major | 0 | 6B | 68 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Daniel Lozakovich, Stanislav Soloviev | E Major | 1 | 12B | 88 BPM | ||
| Death Theme | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Bridges of Madison County "Doe Eyes Theme" | Kyle Eastwood, Clint Eastwood | A Minor | 5 | 8A | 117 BPM | ||
| The Deerhunter: Introduction and Cavatina (Arr. C. Palmer) | Royal Liverpool Philharmonic Orchestra, Carl Davis | E Major | 1 | 12B | 84 BPM | ||
| Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Transcr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
| Main Title Theme (From "The French Lieutenant's Woman") | Royal Liverpool Philharmonic Orchestra, Carl Davis | E Major | 1 | 12B | 85 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| Concerto de l'Adieu | Georges Delerue, Camille Berthollet, Julie Berthollet, Ernst van Tiel, Orchestre national d'île-de-France | F Minor | 2 | 4A | 96 BPM | ||
| Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
| Julia's Theme | Geoffrey Burgon | C Major | 1 | 8B | 68 BPM | ||
| Good-by Cello | Joe Hisaishi | D Major | 2 | 10B | 65 BPM | ||
| Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
| Per Elena | Ennio Morricone | B♭ Major | 3 | 6B | 88 BPM | ||
| Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
| Variation 1: I. The Weight of Responsibility | Matthew Slater, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
| Le temps qui passe | Grégoire Hetzel | D♭ Major | 2 | 3B | 126 BPM | ||
| Tangeri | Paolo Buonvino | F Major | 1 | 7B | 93 BPM | ||
| Once upon a time in America (Deborah's Theme) | Ennio Morricone | E Major | 0 | 12B | 78 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | F Major | 1 | 7B | 93 BPM | ||
| Träumerei (from Kinderszenen, Op. 15) - Grand Piano | Robert Schumann, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM |