Natalie Cole's ' "The Rest Of The Night" was released on its scheduled release date, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Natalie Cole's "Good To Be Back" album is number 3 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Rest Of The Night's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Rest Of The Night by Natalie Cole to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elvina | Beau Williams | E Major | 3 | 12B | 114 BPM | ||
| Mighty Mighty Love | Ashford & Simpson | C Major | 6 | 8B | 103 BPM | ||
| Take Good Care of You and Me | Dionne Warwick, Jeffrey Osborne | B Minor | 5 | 10A | 132 BPM | ||
| One Minute | Karyn White | G Major | 5 | 9B | 168 BPM | ||
| Sorry Is | Levert | G Major | 4 | 9B | 117 BPM | ||
| I'd Give Anything | Gerald Levert | C Major | 5 | 8B | 104 BPM | ||
| Someone's Rockin' My Dreamboat | Natalie Cole | F Minor | 3 | 4A | 94 BPM | ||
| Telephone | Chaka Khan | G Major | 6 | 9B | 149 BPM | ||
| No One | Keith Washington | D Major | 5 | 10B | 159 BPM | ||
| Make Me Feel | Chris Walker | G Minor | 5 | 6A | 176 BPM | ||
| Two Occasions | The Deele | G Major | 6 | 9B | 85 BPM | ||
| Keeping A Light | Natalie Cole | G Major | 4 | 9B | 130 BPM | ||
| To Be Your Lover | Lakeside | B♭ Minor | 7 | 3A | 82 BPM | ||
| Where Did I Go Wrong | TK | E♭ Major | 3 | 5B | 140 BPM | ||
| If I'm Not In Love | Kathy Troccoli | G Major | 3 | 9B | 116 BPM | ||
| Just To Be Close To You | Trey Lorenz | B♭ Major | 5 | 6B | 102 BPM | ||
| Dancing in the Dark (Heart to Heart) | Kashif | B♭ Major | 5 | 6B | 164 BPM | ||
| I Must Be Living for a Broken Heart | The Spinners | C Major | 4 | 8B | 89 BPM | ||
| Even Now | Chris Walker | B♭ Major | 3 | 6B | 88 BPM | ||
| Tonight I Give In | Angela Bofill | A♭ Minor | 5 | 1A | 73 BPM | ||
| The Rest Of The Night | Natalie Cole | A♭ Major | 6 | 4B | 156 BPM | ||
| Forever Yours | Wendy Moten | G Major | 7 | 9B | 91 BPM | ||
| God's Country | Kool & The Gang | E Major | 4 | 12B | 88 BPM | ||
| Take It To The Limit | Ray, Goodman & Brown | F Minor | 4 | 4A | 99 BPM | ||
| Perfect Combination | Stacy Lattisaw, Johnny Gill | C Major | 5 | 8B | 134 BPM |