Dinah Washington, Rudy Martin Trio's ' "Since I Fell For You" was released on its scheduled release date, November 4, 1997. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Since I Fell For You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Ultimate Dinah Washington". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Since I Fell For You is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Since I Fell For You by Dinah Washington, Rudy Martin Trio having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Them There Eyes | Carmen McRae | E Minor | 4 | 9A | 91 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| You're the Boss | LaVern Baker, Jimmy Ricks | C Major | 1 | 8B | 133 BPM | ||
| Woman's Got Soul | Joe Williams | D♭ Major | 4 | 3B | 129 BPM | ||
| When Somebody Thinks You're Wonderful - Remastered | Fats Waller | B♭ Major | 2 | 6B | 111 BPM | ||
| 'S Wonderful (Bonus Track) | Kat Edmonson | G Minor | 2 | 6A | 115 BPM | ||
| He May Be Your Man | Helen Humes, Bill Doggett | F Minor | 3 | 4A | 154 BPM | ||
| Cry You Out Of My Heart | Ella Fitzgerald, The Delta Rhythm Boys | A♭ Major | 1 | 4B | 78 BPM | ||
| Blossom's Blues | Blossom Dearie | F Minor | 1 | 4A | 120 BPM | ||
| The Birth Of The Blues | Sammy Davis Jr. | C Major | 3 | 8B | 101 BPM | ||
| Smoke Gets In Your Eyes | Jeri Southern | G Major | 1 | 9B | 75 BPM | ||
| Violets For Your Furs | Matt Dennis | F Major | 1 | 7B | 75 BPM | ||
| Autumn In New York | Billie Holiday | B♭ Minor | 1 | 3A | 72 BPM | ||
| The Thrill Is Gone | Dakota Staton | E Minor | 1 | 9A | 69 BPM | ||
| Scotch & Soda | Lou Rawls | G Minor | 4 | 6A | 109 BPM | ||
| Long John Blues | Dinah Washington | F♯ Major | 1 | 2B | 98 BPM | ||
| Moonray | Dakota Staton | G Minor | 1 | 6A | 121 BPM | ||
| It Had to Be You | Jo Stafford | D♭ Major | 1 | 3B | 120 BPM | ||
| Going To Chicago Blues | Lavay Smith & Her Red Hot Skillet Lickers | A♭ Major | 2 | 4B | 110 BPM | ||
| Save Your Love For Me | Nancy Wilson, Cannonball Adderley | E Minor | 0 | 9A | 174 BPM | ||
| Baby (You’ve Got What It Takes) (Remastered) | Brook Benton, Dinah Washington | A♭ Major | 6 | 4B | 133 BPM | ||
| It's The Talk Of The Town | Rebecca Kilgore and Dave Frishberg | G Minor | 2 | 6A | 137 BPM | ||
| You're Just In Love (I Wonder Why) | Perry Como | D Major | 1 | 10B | 75 BPM | ||
| It's A Sin To Tell A Lie | Fats Waller | C Major | 3 | 8B | 114 BPM | ||
| My Last Affair | Ella Fitzgerald and Her Savoy Eight | D Major | 2 | 10B | 99 BPM |