"The Future Behind Us" by Vincent Leibovitz had its release date on June 3, 2021. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Schnocks, La Vie en Vieux (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. In terms of popularity, The Future Behind Us is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Future Behind Us by Vincent Leibovitz having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remember My Lady | Sibille Crawford, Brittanni Kia, Ambra De Curdati, Royal Philarmonic Cunes | C Major | 5 | 8B | 151 BPM | ||
| Personas Desconfiadas | Universos Terrenales | B Minor | 1 | 10A | 91 BPM | ||
| We Should Leave | Sion Trefor | D Minor | 3 | 7A | 117 BPM | ||
| Morgana | Movlan Turabov, Moklan | F♯ Minor | 1 | 11A | 150 BPM | ||
| Freshair | Ale Power | D♭ Minor | 0 | 12A | 77 BPM | ||
| No Ha Lugar | Batallas Vencidas | A♭ Minor | 2 | 1A | 101 BPM | ||
| Outcasts | Claude Polikar, Vincent Leibovitz | B Minor | 6 | 10A | 78 BPM | ||
| Phantom Chime | CHILLNOON | D Major | 0 | 10B | 68 BPM | ||
| Late | Gusa Di Di | E Minor | 3 | 9A | 95 BPM | ||
| Serene Drift | MYSolitary | A♭ Minor | 0 | 1A | 178 BPM | ||
| Con Oficio | Grandes Tardes | F♯ Major | 1 | 2B | 140 BPM | ||
| Fractures | Cris Velasco | D Minor | 3 | 7A | 117 BPM | ||
| Bounce Melody | Bounce Melody | D Major | 0 | 10B | 120 BPM | ||
| Sorpresas | Eterna Oscuridad | A♭ Major | 2 | 4B | 140 BPM | ||
| Face à face | CHLOE (Thévenin) | D Minor | 3 | 7A | 117 BPM | ||
| La Línea | Marcel Barsotti | A Minor | 2 | 8A | 100 BPM | ||
| Scenes From Above | Christopher Deighton, Peter Gregson | A Minor | 5 | 8A | 180 BPM | ||
| Silent Winds | Liora Vel | B Minor | 2 | 10A | 97 BPM | ||
| Divagaciones | Formas Correctas | E Major | 1 | 12B | 148 BPM | ||
| In the Deep | Jonathan Fitas | F Major | 3 | 7B | 100 BPM | ||
| Light 40 | Rob | D♭ Major | 3 | 3B | 120 BPM | ||
| Sunburst | Claude Polikar, Vincent Leibovitz | C Major | 3 | 8B | 78 BPM | ||
| Deep Journey | Liora Vel | E♭ Minor | 4 | 2A | 99 BPM | ||
| Keep on Dancing | Vincent Leibovitz, Selma Mutal | C Minor | 4 | 5A | 118 BPM | ||
| Missing | Zusoro | A♭ Minor | 1 | 1A | 79 BPM |