"We Should Leave" by Sion Trefor had its release date on February 13, 2026. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. We Should Leave's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sion Trefor's "How To Get To Heaven From Belfast (Soundtrack from the Netflix Series)" album is number 7 out of 20. Based on our statistics, We Should Leave's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of We Should Leave by Sion Trefor to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Köpek Biblosu | Cem Ergunoğlu | G Major | 2 | 9B | 108 BPM | ||
| Lazy Person | 2XSTATE | C Major | 0 | 8B | 80 BPM | ||
| Vera's Ambush | Jessica Jones | G Major | 2 | 9B | 108 BPM | ||
| intuición | Auren El Fino | A Minor | 3 | 8A | 63 BPM | ||
| June | Hania Rani | E Major | 0 | 12B | 66 BPM | ||
| In the Night | Edward Farmer, Martin Phipps | A♭ Major | 3 | 4B | 59 BPM | ||
| Nouvelles pistes | Amine Bouhafa | G Minor | 2 | 6A | 119 BPM | ||
| Utopia | Cylis | C Major | 1 | 8B | 57 BPM | ||
| Dominate Dominate | Xhosa Zediah | B♭ Major | 0 | 6B | 220 BPM | ||
| III (Tlaloc) | Sion Trefor | F Major | 1 | 7B | 67 BPM | ||
| Dark Gothic Cello Ambient | Rafael Krux | G Major | 2 | 9B | 108 BPM | ||
| Space | Alex Baranowski | D Minor | 2 | 7A | 167 BPM | ||
| God's Business | Sion Trefor | G Major | 2 | 9B | 108 BPM | ||
| Asombros | Reino De Fuego | E Minor | 1 | 9A | 95 BPM | ||
| The First Hearing | Blair Mowat | D♭ Major | 3 | 3B | 86 BPM | ||
| Nastka | Natalia Tsupryk | C Major | 3 | 8B | 86 BPM | ||
| Soft Branches | Lunari Vess | D♭ Major | 8 | 3B | 145 BPM | ||
| Diversion | Almas Paralelas | A Minor | 2 | 8A | 76 BPM | ||
| Islandus: Raven I “The Croak” | Gabríel Ólafs, Reykjavík Orkestra, Viktor Orri Árnason | A Minor | 2 | 8A | 81 BPM | ||
| Arctic Silence | Arctis Sol | F♯ Minor | 9 | 11A | 125 BPM | ||
| Le vin, c'est comme la musique | Ian Arber | G Major | 2 | 9B | 108 BPM | ||
| SBI Is Dirty | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| Inventa lege, inventa fraude | Corpus Dominix | A♭ Minor | 1 | 1A | 73 BPM | ||
| The First Star | Jonathan Fitas | F Major | 3 | 7B | 100 BPM | ||
| Vente aux enchères | Mathieu Lamboley | G Major | 2 | 9B | 108 BPM |