On April 20, 2015, the song "Mangal Murat Ram Dulare" was released by Rakesh Kala. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rakesh Kala's "Hanuman Jyanti Special" album is number 1 out of 20. In terms of popularity, Mangal Murat Ram Dulare is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mangal Murat Ram Dulare by Rakesh Kala to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Malik Ke Darbar Mein | Pujya Prembhushanji Maharaj | E♭ Major | 7 | 5B | 129 BPM | ||
| Meri Vinti Yahi Hai Radharani | Chitra Vichitra Ji Maharaj | C Minor | 6 | 5A | 97 BPM | ||
| Jai Hanuman Gyan | Shankar Sahney | D♭ Major | 7 | 3B | 95 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Shri Vilvashtkam | Pujya Bhaishree Rameshbhai Ojha | D♭ Major | 4 | 3B | 122 BPM | ||
| Man Tera Mandir Hai - Mata Ka Jagrata | Kavita Paudwal | G Major | 2 | 9B | 71 BPM | ||
| Tumne Aangan Nahi Buhara | Pujya Prembhushanji Maharaj | B♭ Minor | 7 | 3A | 144 BPM | ||
| Main Balak Tu Mata Sheranwaliye | Babla Mehta | B♭ Major | 5 | 6B | 174 BPM | ||
| Bhakti Re Karvi Tene | Hari Bharwad | F♯ Minor | 8 | 11A | 143 BPM | ||
| Radhey Radhey Japa Karo | Mridul Krishan Shastri | D♭ Major | 8 | 3B | 132 BPM | ||
| Shyam Tujhe Na Chodeenge | Sanjay Mittal | B Major | 8 | 1B | 165 BPM | ||
| Racha Hai Srishti Ko Jis Prabhu Ne | Devendra Pathak | A♭ Major | 7 | 4B | 110 BPM | ||
| Shyama Aan Baso Vrindavan Mein | Anjali Jain | B♭ Minor | 5 | 3A | 73 BPM | ||
| Gajanand Jai Jai Tumhari | Bijender Chauhan, Anil Sharma, Rakesh Kala | E Major | 8 | 12B | 83 BPM | ||
| Ujjain Ke Mahakaal | Shahnaaz Akhtar | A♭ Major | 8 | 4B | 150 BPM | ||
| SANWARIYO HAI SETH MARI RADHA JI SETHANI HAI | Bhagwat Suthar | A♭ Major | 9 | 4B | 77 BPM | ||
| Meetthi Meethi Mere Sanware Ki Murli Baaje | Saurabh Madhukar, Keshav Madhukar | B♭ Minor | 8 | 3A | 82 BPM | ||
| Namami Shamishaan | Sharma Bandhu | F♯ Major | 5 | 2B | 138 BPM | ||
| Mere Ram | Babul Supriyo | D Major | 6 | 10B | 95 BPM | ||
| Nagri Ho Ayodhya Si Raghukul Sa Gharana Ho | Rekha Garg | F Minor | 7 | 4A | 88 BPM | ||
| Janamashtami Mashup | Dhruv Sharma, Swarna Shri | D♭ Major | 4 | 3B | 105 BPM | ||
| Nagri Ho Ayodhya Si | Vidhi Sharma | D Minor | 7 | 7A | 76 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Khul Jayenge | Sapna Vishwakarma | D♭ Major | 7 | 3B | 80 BPM | ||
| Shri Adinath Chalisa | Rakesh Kala | A♭ Minor | 5 | 1A | 142 BPM | ||
| Sawre KO Dil Me Basa Kar | Chitra Vichitra Ji Maharaj | B♭ Minor | 9 | 3A | 77 BPM |