"Orlando Furioso, RV 728, Act I, Scene 10: Sol da te, mio dolce amore" by Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble Matheus, Philippe Jaroussky had its release date on October 19, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vivaldi: Orlando Furioso by Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble Matheus, Marie-Nicole Lemieux. The song's track number on the album is #24 out of 94 tracks. Based on our data, France was the country where this track was produced or recorded. Orlando Furioso, RV 728, Act I, Scene 10: Sol da te, mio dolce amore is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Orlando Furioso, RV 728, Act I, Scene 10: Sol da te, mio dolce amore by Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble Matheus, Philippe Jaroussky has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Orlando Furioso, RV 728, Act I, Scene 10: Sol da te, mio dolce amore being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | D♭ Major | 1 | 3B | 97 BPM | ||
| Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande, Sigiswald Kuijken | F♯ Minor | 1 | 11A | 106 BPM | ||
| Di Capua: Vologeso, re de' parti, Act 2: "Nell'orror di notte oscura" (Berenice) | Rinaldo di Capua, Bruno de Sá, Francesco Corti, Il Pomo D'oro | B Major | 2 | 1B | 106 BPM | ||
| Boretti: Claudio Cesare, Act 2: "Crudo amor, non hai pietà" (Claudio) | Giovanni Antonio Boretti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B♭ Minor | 3 | 3A | 104 BPM | ||
| Fago: Confitebor tibi Domine: II. "Memoriam fecit - Escam dedit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 166 BPM | ||
| Mondonville: Psalmus CXIII "In exitu Israel": I. In exitu | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 82 BPM | ||
| Handel: Radamisto, HWV 12, Act 2: "Ombra cara" (Radamisto) | George Frideric Handel, Philippe Jaroussky | E♭ Minor | 1 | 2A | 133 BPM | ||
| Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
| Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): I. Adagio e spiccato | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
| Stabat Mater: 12. Quando corpus - Amen | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 173 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 91 BPM | ||
| Żebrowski: Magnificat: II. Quia respexit | Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis | E♭ Major | 1 | 5B | 80 BPM | ||
| Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 105 BPM | ||
| San Giovanni Battista: Deste un tempo | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 118 BPM | ||
| Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Major | 1 | 2B | 63 BPM | ||
| Porpora: Semiramide riconosciuta, Act II: "Tradita, sprezzata" (Semiramide) | Nicola Porpora, Nathalie Stutzmann, Orfeo 55 | E♭ Minor | 4 | 2A | 101 BPM | ||
| Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
| Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Anne Sofie von Otter, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 75 BPM | ||
| Domine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festina | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | G Major | 3 | 9B | 123 BPM | ||
| Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
| Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | B Major | 3 | 1B | 97 BPM | ||
| Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
| Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Thomas Dunford, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
| Juditha triumphans devicta Holofernes barbarie, RV 644: Pt. I: Aria. Quo cum Patriae (Juditha) | Antonio Vivaldi, Barbara di Castri, Lucia Sciannimanico, Nicki Kennedy, Alessandra Rossi, Rowena Anketell, Coro da Camera Italiano, Modo Antiquo, Federico Maria Sardelli | E Major | 0 | 12B | 72 BPM | ||
| Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | F♯ Minor | 1 | 11A | 111 BPM |