Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury's 'Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae' had a release date set for March 18, 2002. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi Gloria by Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury. The song's track number on the album is #14 out of 30 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
| Handel: Coronation Anthem No. 3, HWV 260 "The King Shall Rejoice": V. Alleluja | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury, Alastair Ross | D♭ Major | 3 | 3B | 118 BPM | ||
| Requiem in D Minor, Op. 48: Introït et Kyrie | Gabriel Fauré, Tenebrae, LSO Chamber Ensemble, Nigel Short | B♭ Major | 0 | 6B | 77 BPM | ||
| Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] | William Christie | F Minor | 1 | 4A | 70 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 3: Song and Chorus. "Come Away" (Sailor, Chorus) | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée, European Voices, Paul Agnew | A Major | 2 | 11B | 182 BPM | ||
| Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
| Messa di Gloria, Op.posth., Credo: Crucifuxus etiam pro nobis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 0 | 5A | 134 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers | B♭ Major | 1 | 6B | 107 BPM | ||
| Ode for the Birthday of Queen Anne (Eternal source of light divine): 1. Eternal source of light divine | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Stephen Cleobury, Susan Gritton, Alastair Ross, Daniel Hyde, Robin Blaze, Pavlo Beznosiuk, Michael George | D♭ Major | 1 | 3B | 172 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Masque Of Spirits, Act II, No. 4 (Air) | Thomas Shadwell, Meredith Hall, Aradia Ensemble, Rosemarie van der Hooft, Paul Grindlay, Nils Brown, Brett Polegato, Gillian Keith, Michael Colvin, Henry Purcell, John Dryden | B Major | 2 | 1B | 99 BPM | ||
| Overture No. 7 in D major | Thomas Arne, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 72 BPM | ||
| Concerto for 2 Trumpets in C Major, RV 537: III. Allegro | Antonio Vivaldi, Michael Meeks, Crispian Steele-Perkins, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
| The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Major | 2 | 1B | 120 BPM | ||
| Assumpta Est Maria, H. 11: II. Kyrie I | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Minor | 1 | 12A | 104 BPM | ||
| Vinci: Artaserse, Act 1: "Vo solcando un mar crudel" (Arbace) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 3 | 3B | 83 BPM | ||
| Mass in B Minor, BWV 232: Gratias agimus tibi (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 3 | 3B | 118 BPM | ||
| Te Deum, H. 146: X. "In te Domine speravi" | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
| Gloria in D Major, RV589: 1. Gloria in excelsis | Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | E Minor | 1 | 9A | 79 BPM | ||
| Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] | William Christie | F Minor | 0 | 4A | 104 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) | Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 3 | 2B | 139 BPM | ||
| Concerto for Recorder, Oboe and 2 Violins in C Major, RV 87: III. Allegro assai | Antonio Vivaldi, László Kecskeméti, László Hadady, Attila Falvay, Katalin Parkanyi, Gyorgy Kertesz, Borbála Dobozy | C Major | 2 | 8B | 175 BPM | ||
| Hail! bright Cecilia, Z. 328: II. Hail! Bright Cecilia! | Henry Purcell, Collegium Vocale Gent, Philippe Herreweghe, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | ||
| Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie | B♭ Minor | 1 | 3A | 81 BPM | ||
| Messiah, HWV 56: Part 1: Rejoice greatly, O daughter of Zion (Air) | Nikolaus Harnoncourt | A Major | 1 | 11B | 106 BPM |