Quatuor No. 2 in A Minor: VI. Coulant
Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura
Telemann: Quatuors Parisiens
5:36 January 1, 2010
BPM
86
Key
A♭ Minor
Camelot
1A

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Quatuor No. 2 in A Minor: VI. Coulant by Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura Song Details

Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura's 'Quatuor No. 2 in A Minor: VI. Coulant' had a release date set for January 1, 2010. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 37 in the song's album "Telemann: Quatuors Parisiens". In this album, this song's track order is #12. Quatuor No. 2 in A Minor: VI. Coulant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Quatuor No. 2 in A Minor: VI. Coulant by Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-23.368 dB
Acousticness
94%
Danceability
28%
Energy
6%
Instrumentalness
38%
Liveness
21%
Loudness
61%
Speechiness
4%
Valence
24%

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ISRC
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Label
L-M Records/RCA Records