"Cadenza III" by Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu had its release date on May 1, 2020. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Pēteris Vasks: Distant Light, Piano Quartet & Summer Dances". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Cadenza III's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cadenza III by Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tales of the Magic Tree: XI. Fascinated by the Rain | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | F Major | 1 | 7B | 121 BPM | ||
| Snowstorm: No. 8, Echo of Waltz | Georgy Sviridov, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | E Minor | 5 | 9A | 105 BPM | ||
| The Wager | Harlan Guthrie | D Minor | 2 | 7A | 143 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
| Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | A Major | 0 | 11B | 65 BPM | ||
| Henry VIII: Danse de la gypsy | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | D Minor | 1 | 7A | 82 BPM | ||
| The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 5 | 3B | 125 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Sonnenuntergang | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
| Violin Concerto No. 1 "Distant Light": II. Cantabile | Pēteris Vasks, Anthony Marwood, Academy of St. Martin in the Fields | A Minor | 1 | 8A | 115 BPM | ||
| 12 Études, Op. 10: No. 4 in C-Sharp Minor "Torrent" | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 3 | 12A | 85 BPM | ||
| Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
| Ave Maria, CG 89: Ave Maria - Arranged for Cello and Harp by Miriam Keogh | Gounod, None, Sebastian Comberti, Miriam Keogh | C Major | 2 | 8B | 148 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Vadim Gluzman, Bergen Philharmonic Orchestra, Andrew Litton | D Major | 2 | 10B | 99 BPM | ||
| Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
| Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
| Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
| Midnight Waltz | Adam Hurst | A Minor | 2 | 8A | 79 BPM | ||
| Main Theme from Goncharov | Jordan Dean | A Minor | 1 | 8A | 120 BPM | ||
| Lament Song | Max Ablitzer | C Minor | 2 | 5A | 124 BPM | ||
| Dark Eyes | Andre Kostelanetz & His Orchestra | A Minor | 3 | 8A | 75 BPM | ||
| Slavonic Dances, Op. 72, B. 147: No. 5, Spacírka | Antonín Dvořák, George Szell, The Cleveland Orchestra | A♭ Major | 1 | 4B | 122 BPM | ||
| Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | ||
| Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM |