"Dank sei dir, Herr" by Siegfried Ochs, George Frideric Handel, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs had its release date on January 1, 2005. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Sacred Songs (US Bonus Track Version)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Dank sei dir, Herr is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dank sei dir, Herr by Siegfried Ochs, George Frideric Handel, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Michael Chance, Stephen Cleobury | D♭ Minor | 0 | 12A | 76 BPM | ||
| Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
| "Bist du bei mir", BWV 508 | Gottfried Heinrich Stölzel, Kiri Te Kanawa, Christopher Bowers-Broadbent, Olga Hegedus | E♭ Major | 0 | 5B | 128 BPM | ||
| Oh Come, Immanuel | Anonymous, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de Cormier | A Minor | 1 | 8A | 89 BPM | ||
| Panis angelicus (Arr. Chris Hazell) | César Franck, Renée Fleming, London Voices, Royal Philharmonic Orchestra, Andreas Delfs | A Major | 1 | 11B | 176 BPM | ||
| Verleih uns Frieden gnädiglich | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A♭ Major | 2 | 4B | 87 BPM | ||
| Gloria, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, The English Concert, Trevor Pinnock, Paul Goodwin, Mark Bennett, The English Concert Choir | D♭ Major | 4 | 3B | 129 BPM | ||
| Ave Verum | Karl Jenkins, The Priests, Allan Wilson, Slovak National Symphony Orchestra | D♭ Major | 8 | 3B | 187 BPM | ||
| Eternal Source of Light Divine (From "Ode for the Birthday of Queen Anne, HWV 74") | George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Anthony Newman, John Feeney, Daire Fitzgerald, Orchestra of St. Luke's | C Major | 1 | 8B | 65 BPM | ||
| Rinaldo, HWV 7, Act II Scene 4: Aria. Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 91 BPM | ||
| Castor et Pollux, RCT 32, Acte II, Scène 2: "Tristes apprêts, pâles flambeaux" (Télaïre) | Jean-Philippe Rameau, Emmanuelle De Negri, Ensemble Pygmalion, Raphael Pichon | D Major | 1 | 10B | 80 BPM | ||
| Ave Maria, dolce Maria - Live | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Leone Magiera, Andreas Vollenweider | F♯ Major | 4 | 2B | 83 BPM | ||
| II. Comfort ye my people | London Philharmonic Orchestra | B Major | 2 | 1B | 77 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio - Allegro - Adagio | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | E♭ Major | 0 | 5B | 122 BPM | ||
| Mass in C Major, K. 317 "Coronation Mass": II. Gloria | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert, Trevor Pinnock, The English Concert Choir | G Major | 3 | 9B | 138 BPM | ||
| The Lord's Prayer - Live | Charlotte Church | E♭ Major | 2 | 5B | 139 BPM | ||
| Domine Fili Unigente (From Gloria) | Antonio Vivaldi, The Priests, Sally Herbert | F Major | 5 | 7B | 127 BPM | ||
| Like An Angel | Anne Sofie von Otter, Benny Andersson, Örjan Högberg, Jonas Lindgren, Mattias Helldén | F Major | 1 | 7B | 116 BPM | ||
| Messiah / Part 2: "Unto Which Of The Angels...Let All The Angels" | George Frideric Handel, Paul Elliott, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
| Messiah: Part 1, O Thou that tellest good tidings to Zion (Air, Alto - Chorus) | The Sixteen | D♭ Major | 2 | 3B | 180 BPM | ||
| Missa Brevis No. 7 In B Major St. Joannis De Deo - Gloria | Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger | A Major | 2 | 11B | 76 BPM | ||
| La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
| If God Be For Us - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | E♭ Minor | 1 | 2A | 76 BPM | ||
| Maria, Marì | Eduardo di Capua, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | D Minor | 2 | 7A | 91 BPM |