"Sarabande en si mineur" by Robert de Visée, Rolf Lislevand had its release date on May 20, 2016. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rolf Lislevand's "La Mascarade - Music For Solo Baroque Guitar And Theorbo" album is number 18 out of 18. Sarabande en si mineur is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sarabande en si mineur by Robert de Visée, Rolf Lislevand to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite En Si Mineur: Tombeau Pour Mons.r De Lully, II.95 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 1 | 3A | 87 BPM | ||
| Prélude in C | Jean-Henri d'Anglebert, Andrew Lawrence-King | C Major | 0 | 8B | 71 BPM | ||
| Ouverture de la Grotte de Versailles (de Lully) | Robert de Visée, Manuel Barrueco | D Major | 2 | 10B | 121 BPM | ||
| La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
| Passacaglia | Giovanni Paolo Foscarini, Pierre Pitzl, Private Musicke | D♭ Minor | 2 | 12A | 66 BPM | ||
| Lute Sonata No. 11 in D Minor: II. Allemande | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 95 BPM | ||
| Trattado de Glosas: Recercada sesta | Diego Ortiz, Rolf Lislevand | B Major | 1 | 1B | 141 BPM | ||
| Suite En Mi Mineur: Fantaisie, II.97 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 66 BPM | ||
| Viola da Gamba Suite in D Major: X. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 142 BPM | ||
| La Mia Barbara, P 95 | John Dowland, Paul O'Dette | C Minor | 0 | 5A | 83 BPM | ||
| La cancion del emperador. Mille Regres (after a Canzon by Josquin Desprez) | Luis de Narváez, Lutz Kirchhof | G Minor | 0 | 6A | 85 BPM | ||
| Sonata in C Major (Weiss) - Largo | Edward Martin and Paul Berget | A♭ Minor | 0 | 1A | 92 BPM | ||
| Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
| Ave Maria, CG 89a (After Bach's BWV 846) [Arr. C. Surrick for Lute & Viola da gamba] | Charles Gounod, Ronn McFarlane, Carolyn Surrick | B Major | 1 | 1B | 110 BPM | ||
| Les castagnettes: Canaries | Jacques Gallot, Simone Vallerotonda | B♭ Major | 1 | 6B | 148 BPM | ||
| La Montespan in A Minor | Jacques Gallot, Rolf Lislevand | A♭ Minor | 1 | 1A | 76 BPM | ||
| Jacaras | Antonio de Santa Cruz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 103 BPM | ||
| Lute Sonata in F Minor (Augsburg manuscript): I. Affettuoso | Bernhard Joachim Hagen, Robert Barto | E Minor | 2 | 9A | 122 BPM | ||
| Suite in G Minor: I. Prélude | François Dufaut, Jonas Nordberg | F Major | 0 | 7B | 133 BPM | ||
| Maricapalos | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | A Minor | 1 | 8A | 84 BPM | ||
| Sonata in D Minor, Kk. 89: II. Grave (Transcr. for Mandolin and Basso continuo) | Domenico Scarlatti, Avi Avital, Yizhar Karshon, Ophira Zakai, Patric Zepec | D Minor | 0 | 7A | 106 BPM | ||
| Zarabanda Francesa | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | B♭ Major | 0 | 6B | 115 BPM | ||
| Suite in G Major: IV. Aria Burlesca | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 2 | 2B | 101 BPM | ||
| Flag of Fire | Traditional, Hille Perl, Marthe Perl | D♭ Major | 0 | 3B | 107 BPM | ||
| Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM |