On 1999, the song "Las Malas Lenguas" was released by Robert Incelli. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Baila Conmigo by Robert Incelli. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Las Malas Lenguas is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Las Malas Lenguas by Robert Incelli is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bailatino Llego | Bailatino | A♭ Major | 9 | 4B | 90 BPM | ||
| Falso | Robert Incelli | F Major | 9 | 7B | 98 BPM | ||
| Te Debo un Baile | WERLINTONG LA VOZ | F Major | 8 | 7B | 99 BPM | ||
| Dame un beso | Pitusa | C Major | 5 | 8B | 88 BPM | ||
| Sunny Ray | Pete Perignon, Aymée Nuviola | D Major | 4 | 10B | 129 BPM | ||
| Herencia (palmierie's Legacy) | Willie Sotelo | C Major | 8 | 8B | 110 BPM | ||
| Tema Riqueña | Marlow Rosado, La Riqueña | C Major | 7 | 8B | 120 BPM | ||
| Salsa En La Sangre | Lurenzo | A Major | 5 | 11B | 96 BPM | ||
| Fiesta En El Bronx | Wayne Gorbea's Salsa Picante | F Minor | 6 | 4A | 92 BPM | ||
| Stand By Me | Robert Incelli | F Major | 7 | 7B | 124 BPM | ||
| La Economia | La Excelencia | G Major | 7 | 9B | 109 BPM | ||
| Báilame | Omarkel | B♭ Major | 9 | 6B | 82 BPM | ||
| Guardia y Bembé | Salseando Andamos | B Minor | 4 | 10A | 95 BPM | ||
| Amame en Camara Lenta (En Vivo) | Cano Estremera | F Minor | 7 | 4A | 100 BPM | ||
| Panamangui | Papa Orbe & Los Científicos Del Sabor | B Minor | 7 | 10A | 95 BPM | ||
| Me Voy De Aqui | Jose Lugo Orchestra | D♭ Major | 7 | 3B | 93 BPM | ||
| Perico | El Klan De Porfi | D Major | 9 | 10B | 113 BPM | ||
| Conciencia | bloque 53 | E Minor | 7 | 9A | 170 BPM | ||
| DEMOSTRANDO A TIEMPO | Don Perignon & La Puertorriqueña | C Major | 9 | 8B | 92 BPM | ||
| Las Malas Lenguas | Robert Incelli | D♭ Major | 8 | 3B | 91 BPM | ||
| Prestame Tu Corazon | Poncho Sanchez | C Major | 6 | 8B | 94 BPM | ||
| Palo Pa' Changuito | Nils Fischer & Timbazo, Changuito, Lucrecia, Alexander Abreu | C Major | 6 | 8B | 100 BPM | ||
| Dónde Estaras Metida | Edwin Bonilla | C Major | 8 | 8B | 95 BPM | ||
| Te Espero en Casa | Quintero's Salsa Project, Ronald Borjas | G Minor | 9 | 6A | 92 BPM | ||
| En Uno o en Dos | Los Hermanos Mangual | F♯ Major | 7 | 2B | 103 BPM |