Harpsichord Suite No. 4 in D Minor, HWV. 437: Sarabande (Adage) by George Frideric Handel, Charles Mathews Song Details

"Harpsichord Suite No. 4 in D Minor, HWV. 437: Sarabande (Adage)" by George Frideric Handel, Charles Mathews had its release date on April 24, 2014. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 4" album is number 19 out of 39. On top of that, United States appears to be the country where this track was created. Harpsichord Suite No. 4 in D Minor, HWV. 437: Sarabande (Adage) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Harpsichord Suite No. 4 in D Minor, HWV. 437: Sarabande (Adage) by George Frideric Handel, Charles Mathews to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -15.777 dB
Acousticness: 99%
Danceability: 54%
Energy: 17%
Instrumentalness: 91%
Liveness: 13%
Loudness: 74%
Speechiness: 10%
Valence: 12%

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