Pt. Rattan Mohan Sharma's ' "Rakho Laaj Hari" was released on its scheduled release date, 2009. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in Pt. Rattan Mohan Sharma's "Gopaal" album is number 3 out of 10. On top of that, France appears to be the country where this track was created. Rakho Laaj Hari is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Rakho Laaj Hari by Pt. Rattan Mohan Sharma to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tulsi Aarti | Lalitya Munshaw | D♭ Major | 5 | 3B | 91 BPM | ||
| Ek Baba Akaal Roop - Gurbani Kirtan | Bhai Harjinder Singh | A♭ Major | 9 | 4B | 144 BPM | ||
| Guru Sharan Mein Rehna | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Ma Tvam hi tara | Ramakrishna Math, Mahesh Ranjan Shome | D♭ Major | 2 | 3B | 130 BPM | ||
| संकर सुवन केसरीनंदन। | Rekha Rao, Ritesh Mishra | A Major | 8 | 11B | 126 BPM | ||
| Jev Jevan Jagat Me | Rajesh Goswami | F♯ Minor | 7 | 11A | 126 BPM | ||
| Maare Mat Maiya | Mridul Krishan Shastri Ji | F♯ Minor | 4 | 11A | 102 BPM | ||
| Gurudev Tumhare Bin | Madan Gopal | D♭ Major | 3 | 3B | 152 BPM | ||
| Srila Prabhupada Vandana | Hari Om Sharan | F♯ Major | 6 | 2B | 82 BPM | ||
| Karle Bhajan Hari Ka | Kumar Vishu | B♭ Minor | 4 | 3A | 95 BPM | ||
| Bhaye Pragat Kripala | Anil Pathak | F Minor | 8 | 4A | 80 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Madhurashtakam | Devendra Pathak | B Major | 7 | 1B | 80 BPM | ||
| Chintaya Mama Manasa hari | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Mangal Bhavan Amangal Haari Sitaram Charit - REMASTERED | Ravindra Jain, Anand Kumar C. | D♭ Minor | 7 | 12A | 80 BPM | ||
| Magro Ke Rath Pe Aao He Narmada Kunwari | Manish Agrawal | B Major | 7 | 1B | 95 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Is Bhavsagar Ka | Sharma Bandhu | A Major | 5 | 11B | 73 BPM | ||
| Maala Phere Te Ram Ram Kare Bhilni | Sher Singh | G Minor | 7 | 6A | 87 BPM | ||
| Ram Ram Siya Ram Bhajale | Sarvesh Mishra | E Minor | 7 | 9A | 100 BPM | ||
| Mero Sankata Nivaaro | Pt. Rattan Mohan Sharma | D Minor | 5 | 7A | 84 BPM | ||
| Angra Ke Aagi | Shraddha, Sajal, Mithlesh Sahu | D♭ Major | 6 | 3B | 140 BPM | ||
| Sab Tirth Kar ke | NARAYANSWAMI | F Minor | 5 | 4A | 88 BPM | ||
| Andha Khora Boba | Manna Dey | B♭ Major | 8 | 6B | 92 BPM | ||
| Jeevan Do Din Ka | Kumar Vishu | A Major | 5 | 11B | 154 BPM |