Devendra Pathak's ' "Madhurashtakam" was released on its scheduled release date, July 15, 2023. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Madhurashtakam and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Madhurashtakam is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Madhurashtakam by Devendra Pathak to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Satguru Mata Ji | Shuchi Arora, Amrit Bhen Kanpur | C Minor | 4 | 5A | 98 BPM | ||
| Pawanputra Is Ramdoot Ki Mahima Apaar | Babla Mehta | A♭ Major | 6 | 4B | 84 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Om Gan Ganpataye Namo Namah | Devendra Pathak | A♭ Major | 7 | 4B | 136 BPM | ||
| Har Pal Tumhari Yaad Aati Rahe Raghav | Devendra Pathak | A Major | 8 | 11B | 170 BPM | ||
| Ayodhya Ram Aaye Hain | Devendra Pathak | D♭ Major | 9 | 3B | 140 BPM | ||
| Zala Zala Aanand | Vitthal Umap | G Major | 7 | 9B | 80 BPM | ||
| Vaishnav Jan To | Shubhangi Joshi | B♭ Minor | 5 | 3A | 80 BPM | ||
| Om Jai Jai Prathmesha | Shankar Narayan | C Major | 8 | 8B | 94 BPM | ||
| Vaishno Devi Aarti | Maaruti Mohataa | E♭ Major | 8 | 5B | 88 BPM | ||
| Anmol Tera Jivan | Devendra Pathak | B♭ Major | 8 | 6B | 135 BPM | ||
| Mola Mohi Daare | Sheikh Ameen, Shraddha, Sajal | F♯ Major | 6 | 2B | 128 BPM | ||
| Aarti Hanuman Lala Ki - Viddhi Sharma | Vidhi Sharma | F♯ Major | 5 | 2B | 92 BPM | ||
| Dinchari | Mithlesh Sahu | F Minor | 9 | 4A | 157 BPM | ||
| Murlidhar Chaliya Mohan | Devendra Pathak | A Minor | 7 | 8A | 79 BPM | ||
| Hey Anjani Ke Lala | Sumeet Tappoo, Mayuresh Pai, Shekhar Astitwa | E♭ Minor | 7 | 2A | 154 BPM | ||
| श्री राम स्तुति | Shubhangi Joshi | G Major | 5 | 9B | 144 BPM | ||
| Hari Sharnam | Vijay Soni | G Major | 4 | 9B | 117 BPM | ||
| jaya jaya sav shankar | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
| Darshan Pyasi Bai Sugna - Original | Navratansinh Raval, Kushal Barath | F Minor | 9 | 4A | 83 BPM | ||
| Man Ki Muradaan Poori Karti | Shinu Nigam | B♭ Major | 5 | 6B | 124 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Sai Ram Jai Sai Ram | Sai Bhajans | F♯ Major | 8 | 2B | 174 BPM | ||
| Aarti Shri Padam Tumhari | Vandana Bhardwaj | D Major | 6 | 10B | 91 BPM | ||
| Aarti Kunj Bihari Ki - Krishan Ji Ki Aarti - Hindi | Babla Mehta | B Minor | 9 | 10A | 80 BPM |