On April 1, 2010, the song "Moriya Re Bapa Morya" was released by Rajesh Bisen. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Moriya Re Bapa Morya's duration is considered a little bit shorter than the average duration of a typical track. The song is number 51 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Moriya Re Bapa Morya's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Moriya Re Bapa Morya by Rajesh Bisen is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giriraj Ki Sharan Mein | HDH Shri Vrajrajkumarji Mahodayshri | D♭ Major | 5 | 3B | 156 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Surya Dev Ki Aarti | Varsha Srivastava | F♯ Major | 6 | 2B | 90 BPM | ||
| Samay Ki Chinta Chodo | Rajesh Bisen | E♭ Minor | 8 | 2A | 132 BPM | ||
| Kyan Re Vase Tulsi | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | F Major | 5 | 7B | 148 BPM | ||
| Namami Devi Narmade | Laxmi Dubey | F Minor | 8 | 4A | 113 BPM | ||
| Majhya Saine Chamtkar Kela | Sachidanand Appa | D♭ Major | 5 | 3B | 125 BPM | ||
| Shiv Manas Puja | Naynesh Jani | C Major | 3 | 8B | 132 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Dhadila Nirop Saibabani Mala | Sai bhakti, Rajesh Ranshur | E♭ Minor | 9 | 2A | 118 BPM | ||
| Trigunanth Mak | Rajesh Bisen | D♭ Major | 4 | 3B | 174 BPM | ||
| Om Jai Jagadish Hare | Rajendra Jain | G Major | 6 | 9B | 90 BPM | ||
| Svapna Siddhi Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Mavaji Muj Par | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Yugal Sarakaar Aarti | Jagadguru Shri Kripalu Ji Maharaj | F Major | 5 | 7B | 100 BPM | ||
| Sarba Mangala Stutee | Namita Agrawal, Gita Dash | E Major | 6 | 12B | 178 BPM | ||
| Sant Balumama Aarti - Jai Dev Jai Dev | Mandar Apte | G Major | 4 | 9B | 95 BPM | ||
| He Ma Sharda | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 185 BPM | ||
| Ame to Tara Nana Bal | Satish Dehra, Foram Maheta | B♭ Minor | 6 | 3A | 138 BPM | ||
| Anand Vaaja Vage.. Mangal Aarti | Rekha Rawal, Parthiv Gohil | E♭ Major | 4 | 5B | 107 BPM | ||
| Mahalaxmi Ashtakam | Ketan Patwardhan | D Major | 1 | 10B | 105 BPM | ||
| Akshar Na Vachi | Harikrishna Patel | F Major | 5 | 7B | 79 BPM | ||
| Devyaparadhkshamapan Stotra | Ashit Desai, Hema Desai | C Major | 5 | 8B | 82 BPM | ||
| Shani Vajra Panjar Kavach - Studio | Ravindra Sathe | D♭ Minor | 5 | 12A | 120 BPM | ||
| Hore Krishno | Roompa Roy, Pradyot Dey Sarkar | D♭ Major | 4 | 3B | 170 BPM |