On January 1, 2004, the song "Listen To The Mockingbird Sing - Score" was released by Carter Burwell. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Alamo". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Listen To The Mockingbird Sing - Score's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Listen To The Mockingbird Sing - Score by Carter Burwell having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mary And Henry | Paul Cantelon | E♭ Major | 1 | 5B | 82 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| It's My Fault - End Credits | Roque Baños | G Minor | 1 | 6A | 85 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Chance Encounter | Philip Glass | C Minor | 1 | 5A | 91 BPM | ||
| Dedication | John Powell | G Major | 4 | 9B | 120 BPM | ||
| Brokeback Mountain 1 | Gustavo Santaolalla | D Major | 1 | 10B | 83 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Journey To The Cave | Nicholas Hooper | D Major | 1 | 10B | 88 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| On the Nature of Daylight (From "Arrival") | Max Richter, Maksym Rzemiński, Radom Chamber Orchestra, Dawid Runtz | B♭ Minor | 0 | 3A | 71 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Church Dream | Ryuichi Sakamoto, alva noto | E Minor | 3 | 9A | 87 BPM | ||
| Selbourne Wood | Adrian Johnston | A Minor | 1 | 8A | 66 BPM | ||
| Any Other Name | Thomas Newman | G Minor | 0 | 6A | 78 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| Leaving The Docks | Zbigniew Preisner | E Minor | 0 | 9A | 121 BPM | ||
| Final Minutes and the Mountains | Dan Romer | C Minor | 3 | 5A | 70 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Guilty | Paul Cantelon | C Minor | 1 | 5A | 91 BPM |