The Soldier's Tale: Part 1, Music for Scene Two: Pastorale - Japanese Narration by Kanji Ishimaru by Igor Stravinsky, Kanji Ishimaru Song Details

"The Soldier's Tale: Part 1, Music for Scene Two: Pastorale - Japanese Narration by Kanji Ishimaru" by Igor Stravinsky, Kanji Ishimaru had its release date on 1961. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Stravinsky: The Soldier's Tale (Conducted by Stravinsky, Narrated by Kanji Ishimaru)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, The Soldier's Tale: Part 1, Music for Scene Two: Pastorale - Japanese Narration by Kanji Ishimaru's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With The Soldier's Tale: Part 1, Music for Scene Two: Pastorale - Japanese Narration by Kanji Ishimaru by Igor Stravinsky, Kanji Ishimaru having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.299 dB
Acousticness: 95%
Danceability: 64%
Energy: 10%
Instrumentalness: 0%
Liveness: 19%
Loudness: 66%
Speechiness: 53%
Valence: 8%

Recommendations

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Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso	Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins	F Major	2	7B	116 BPM
The Unanswered Question	Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel	C Major	0	8B	68 BPM
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto	Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin	D Minor	1	7A	70 BPM
Overture: Overture	Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo	B Major	0	1B	112 BPM
The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	B♭ Minor	1	3A	67 BPM
Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso	Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra	F♯ Minor	1	11A	128 BPM
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Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace	Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi	G Major	2	9B	75 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	C Major	3	8B	106 BPM
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto	Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg	A Major	0	11B	80 BPM
Chamber Symphony No. 5 in A-Flat Major, Op. 118a: II. Allegretto furioso	Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal	D♭ Major	0	3B	78 BPM