"Love Scene" by Bernard Herrmann had its release date on 1964. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bernard Herrmann's "Marnie (Complete Original Motion Picture Score)" album is number 25 out of 51. On top of that, United States appears to be the country where this track was created. In terms of popularity, Love Scene is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Love Scene by Bernard Herrmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bay | Bernard Herrmann | D Minor | 1 | 7A | 75 BPM | ||
| One of Us | The Greek Rapper Who Stole my Music | E♭ Major | 1 | 5B | 172 BPM | ||
| L'enfer générique | Bruno Alexiu | F Minor | 0 | 4A | 112 BPM | ||
| Viaggio a Londra | Rigol | D Minor | 1 | 7A | 152 BPM | ||
| Fahrenheit 451: The Bedroom - From "Fahrenheit 451" | Bernard Herrmann | G Major | 3 | 9B | 174 BPM | ||
| By The Fireside | Bernard Herrmann | D Minor | 2 | 7A | 85 BPM | ||
| La femme rêvée | Vladimir Cosma | G Major | 1 | 9B | 111 BPM | ||
| Mina / Dracula - From 'Bram Stoker's Dracula' | Wojciech Kilar | F Major | 4 | 7B | 109 BPM | ||
| Le samouraï - Bande originale du film "Le samouraï" | François de Roubaix | A Minor | 3 | 8A | 168 BPM | ||
| Klute | Michael Small | E Minor | 4 | 9A | 96 BPM | ||
| Soirée perdue - Bande originale du film "Pierrot le fou" | Antoine Duhamel | A Minor | 2 | 8A | 100 BPM | ||
| Affaire Theme | Stelvio Cipriani | F Minor | 5 | 4A | 135 BPM | ||
| Last Dance - 50th Anniversary / Remastered 2025 | Jack Nitzsche | C Major | 3 | 8B | 69 BPM | ||
| L'amour la mort - Bande originale du film "À bout de souffle" | Martial Solal | C Major | 2 | 8B | 117 BPM | ||
| Medley (Ilsa Returns / As Time Goes By / Bitterness / Laszlo / Agitato No. 1 / Ilsa / La Marseillaise) | The Warner Bros. Studio Orchestra | G Minor | 2 | 6A | 90 BPM | ||
| Só | Hareton Salvanini | B♭ Major | 3 | 6B | 74 BPM | ||
| Libidine 4 | Nora Orlandi, Stelvio Cipriani | A Minor | 1 | 8A | 154 BPM | ||
| Love Feeling | Alessandro Alessandroni | G Major | 4 | 9B | 98 BPM | ||
| Dear Kathy | Benny Golson | B♭ Minor | 0 | 3A | 132 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Blanche And Mitch | Alex North | F Minor | 1 | 4A | 85 BPM | ||
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | B♭ Major | 1 | 6B | 111 BPM | ||
| Noire Clarinet | Andrew Hale | C Major | 1 | 8B | 75 BPM | ||
| Attesa jazz | Roberto Pregadio | E♭ Major | 2 | 5B | 93 BPM | ||
| The $20 Bill / Target Practice | Bernard Herrmann, James P. Nichols | C Minor | 1 | 5A | 111 BPM |