Raghavendra Acharya Jansale's ' "Mangala" was released on its scheduled release date, March 7, 2022. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Raghava Raga Madhurya, Vol. 2". In this album, this song's track order is #13. Furthermore, we believe that the track originated from India. In terms of popularity, Mangala is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Mangala by Raghavendra Acharya Jansale having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vaadiraja Munipa | Anantha Kulkarni | F♯ Major | 7 | 2B | 101 BPM | ||
| Kolarupathigam | Bombay Saratha | B♭ Major | 5 | 6B | 150 BPM | ||
| Thimitha Udhavi Anaya | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Nammamma Sharade | Narashima Naik, Purandara Dasaru | G Major | 8 | 9B | 115 BPM | ||
| Gnanam Varam Santhosa Sakalam | Soundarya Lahari Creations | A Major | 5 | 11B | 100 BPM | ||
| Chandiramukhi | Raghavendra Acharya Jansale | D♭ Minor | 6 | 12A | 81 BPM | ||
| Ninna Olumeinda Nikhila Janaru Bandu | Sheshagiridas Raichur | E♭ Minor | 5 | 2A | 139 BPM | ||
| Appaninge Male | Gouthami | D Major | 9 | 10B | 132 BPM | ||
| Baare Gopamma | Suma Shastri,V.Nagendra Prasad | G Major | 6 | 9B | 174 BPM | ||
| Namana Padake | Raghavendra Acharya Jansale | B Major | 6 | 1B | 148 BPM | ||
| Hyanga Balaki Madabekanna | Shimoga Subbanna | A Minor | 6 | 8A | 131 BPM | ||
| Parashivana Pathniyaagi | Veeramani Raju | A Major | 5 | 11B | 74 BPM | ||
| Ondu Baari Smarane | Puttur Narasimha Nayak | A Minor | 7 | 8A | 151 BPM | ||
| Maadu Sikkadalla | Sri Vidyabhushana, T. V. Gopalakrishnan, Purandaradasaru | D♭ Major | 8 | 3B | 175 BPM | ||
| Bagan Kar Chhori | Sariful, Karmila | A Major | 9 | 11B | 80 BPM | ||
| Hore Krishno | Roompa Roy, Pradyot Dey Sarkar | D♭ Major | 4 | 3B | 170 BPM | ||
| Nadedu Barayya | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Dante Siri Daayi | Dukalu Yadav | A Major | 8 | 11B | 80 BPM | ||
| Skanda Ninagandada | B. R. Chaya | A Minor | 6 | 8A | 160 BPM | ||
| Ello Jogappa | Appagere Thimmaraju | A Minor | 5 | 8A | 151 BPM | ||
| Kathale Saadigu | Vidyabhushana | G Major | 5 | 9B | 86 BPM | ||
| Hittu Maade Soppu Maade | Appagere Thimmaraju, Nanditha | A♭ Major | 4 | 4B | 163 BPM | ||
| Baa Ba Baabare Budi Baabare (From "Mr Puttaswamy") | Rajesh Krishnan | G Major | 7 | 9B | 140 BPM | ||
| Adithi Deviya Avataradali | Rajkumar | E Major | 6 | 12B | 80 BPM | ||
| Nayagunavillada | Shivarudriaha Gowd, Sidrama Patil, Siddanna Desai | A Major | 3 | 11B | 176 BPM |