Christopher O'Riley's 'Street Spirit (fade out)' had a release date set for August 23, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christopher O'Riley's "Hold Me to This - Christopher O'Riley Plays Radiohead" album is number 14 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Street Spirit (fade out)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Street Spirit (fade out) by Christopher O'Riley to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 14 Romances, Op. 34: No. 14, Vocalise (Arr. M. Haimovitz & C. O'Riley for Cello & Piano) | Sergei Rachmaninoff, Matt Haimovitz, Christopher O'Riley | E Minor | 0 | 9A | 86 BPM | ||
| Intermezzo | Ingo Höricht, Ponticulus Quartett | B♭ Major | 6 | 6B | 105 BPM | ||
| Gagging Order | Christopher O'Riley | B♭ Major | 1 | 6B | 95 BPM | ||
| Les Rêves d'Aurélie | Ioan Francois Davies, Ioan Davies Music | C Major | 1 | 8B | 79 BPM | ||
| Deep Under | Eydís Evensen | E♭ Major | 2 | 5B | 114 BPM | ||
| Heart-Shaped Box (Piano Instrumental) | Playa Piano | C Major | 0 | 8B | 61 BPM | ||
| Subterranean Homesick Alien | Christopher O'Riley | C Major | 1 | 8B | 76 BPM | ||
| V | Sammy Weissberg, Samuel Weissberg | B♭ Minor | 2 | 3A | 94 BPM | ||
| Sonata No. 2 in D Major, BWV 1028: III. Andante | Johann Sebastian Bach, Matt Haimovitz, Christopher O'Riley | B♭ Minor | 2 | 3A | 94 BPM | ||
| The Well-Tempered Clavier, Book II, BWV 870-893: Prelude & Fugue in C Major, BWV 870: I. Prelude | Johann Sebastian Bach, Christopher O'Riley | A Minor | 1 | 8A | 106 BPM | ||
| Fly | Christopher O'Riley | A♭ Major | 1 | 4B | 84 BPM | ||
| 7 Days | Roger Louis Harmon | E Minor | 2 | 9A | 93 BPM | ||
| Let's Go | Emily Lazzarus | G Major | 6 | 9B | 147 BPM | ||
| Everything in its Right Place | Harry Waters, John Clark | F Minor | 2 | 4A | 127 BPM | ||
| No More Complaints | Michael Bean | A Minor | 3 | 8A | 166 BPM | ||
| You know | Xavier Mass | C Minor | 0 | 5A | 183 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| Ciao Mamma | Nicola Rizzuto | B♭ Major | 1 | 6B | 90 BPM | ||
| Divorce Papers | Arcade Fire, Owen Pallett | A Minor | 0 | 8A | 129 BPM | ||
| It Causes Me Some Troubles | Travis Holt | D♭ Minor | 0 | 12A | 78 BPM | ||
| Everything Means Nothing to Me | Christopher O'Riley | D♭ Major | 6 | 3B | 144 BPM | ||
| Fanthesia | Conor Walsh | D♭ Major | 0 | 3B | 131 BPM | ||
| Cardiff | Holido | D♭ Major | 0 | 3B | 68 BPM | ||
| Let Me Tell You 'Bout Love | Indigo Days | G Major | 0 | 9B | 79 BPM | ||
| Cello Sonata In G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Matt Haimovitz, Christopher O'Riley | E♭ Major | 0 | 5B | 135 BPM |