"Prelude" by Walt Ribeiro had its release date on January 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Walt Ribeiro's "I.I" album is number 1 out of 12. Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude by Walt Ribeiro to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sub-Main Title - From The Episode "The Last Laugh" | Shirley Walker | C Major | 3 | 8B | 105 BPM | ||
| The Outfit | Alexandre Desplat | G Major | 1 | 9B | 127 BPM | ||
| Page Off Intro / Theme From 30 Rock / Kenneth Chokes - Medley | Jeff Richmond | G Major | 5 | 9B | 134 BPM | ||
| Amsterdam (Ending) | Daniel Pemberton | C Major | 1 | 8B | 75 BPM | ||
| Sad Ted | Marcus Mumford, Tom Howe | A♭ Major | 2 | 4B | 156 BPM | ||
| Veteran Leadership | Marcus Mumford, Tom Howe | C Major | 5 | 8B | 94 BPM | ||
| Ago | Walt Ribeiro | C Minor | 1 | 5A | 121 BPM | ||
| Pilot Ending | Siddhartha Khosla | D Minor | 2 | 7A | 164 BPM | ||
| The Sum of Our Choices | Lorne Balfe | D♭ Major | 1 | 3B | 165 BPM | ||
| Ketchup & Mustard Color Scheme | Amie Doherty | D♭ Major | 3 | 3B | 74 BPM | ||
| Huge Stones | Marco Beltrami | A Major | 3 | 11B | 70 BPM | ||
| Ted Disappears | Marcus Mumford, Tom Howe | B♭ Major | 5 | 6B | 131 BPM | ||
| High Magistrate | Joseph Shirley, Ludwig Göransson | A Major | 7 | 11B | 170 BPM | ||
| Suite - From "Brazil" | David Newman, Varèse Sarabande Symphony Orchestra, Dan Higgins | E Minor | 2 | 9A | 73 BPM | ||
| Behind the Goal | Giosuè Greco | E Major | 3 | 12B | 130 BPM | ||
| 'I Don't Feel Like Dancing' For Orchestra | Elton John, Jason Sellards, Scott David Hoffman, Walt Ribeiro | D Major | 5 | 10B | 154 BPM | ||
| The Long Way Home | Jan Miserre, John Gürtler | B♭ Major | 1 | 6B | 70 BPM | ||
| Black Venom | The Budos Band | B Minor | 10 | 10A | 114 BPM | ||
| A Beautiful Mine (Mad Men Instrumental Theme) - From "Retrospective: The Music Of Mad Men" Soundtrack | RJD2 | D♭ Major | 8 | 3B | 114 BPM | ||
| Soldiers of the 5th Regiment | Martin Phipps | F♯ Minor | 3 | 11A | 82 BPM | ||
| The Claw | Richard Reed Parry, Pietro Amato | E Minor | 0 | 9A | 102 BPM | ||
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
| The Defenders | Sam Spence | E Minor | 4 | 9A | 141 BPM | ||
| Suite from X2 | John Ottman | B♭ Major | 2 | 6B | 82 BPM | ||
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | B♭ Major | 1 | 6B | 111 BPM |