"5 Structures for 4 Timpani: No. 1, Flint" by David Corkhill, Ralph Sorrentino had its release date on April 9, 2021. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ralph Sorrentino's "Lo & Behold" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, 5 Structures for 4 Timpani: No. 1, Flint is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 5 Structures for 4 Timpani: No. 1, Flint by David Corkhill, Ralph Sorrentino to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cró na Nollag | Adhamhnán Mac Domhnaill, Desmond Earley, Kiri O’Neill, Emily Doyle, The Choral Scholars of University College Dublin | E♭ Minor | 0 | 2A | 137 BPM | ||
| Gloria: III. Quoniam tu solus sanctus | John Rutter, The Bach Choir, Jane Watts, David Corkhill, Nigel Bates, Matthew Rich, Wallace Collection, Sir David Willcocks | C Minor | 0 | 5A | 71 BPM | ||
| Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
| Everlasting Arms of Love | Josh Henn | G Major | 2 | 9B | 145 BPM | ||
| Psalm 23, "The Lord is my Shepherd": Psalm XXIII | Charles Hylton Stewart, Michael Bloss, Choir of St John's, Elora, Noel Edison | E Major | 0 | 12B | 100 BPM | ||
| Psalm 2 | Ivor Atkins, Choir of St John's, Elora, Michael Bloss, Noel Edison | B♭ Major | 1 | 6B | 82 BPM | ||
| Three Little Bites at the Big Apple: No. 2, A Walk in the Park | Philip Lane, Robert Thompson | C Major | 0 | 8B | 95 BPM | ||
| The First Nowell the Angel Did Say (The First Nowell) - Instrumental Version | John Keys | C Major | 3 | 8B | 75 BPM | ||
| Sing Praise: II. — | Jonathan Willcocks, The Bach Choir, Jane Watts, David Corkhill, Nigel Bates, Matthew Rich, Wallace Collection, Sir David Willcocks | D Major | 1 | 10B | 139 BPM | ||
| Gloria: I'll Make Music | Karl Jenkins, Polyphony, Stephen Layton | A♭ Major | 1 | 4B | 79 BPM | ||
| Spiders, Op. 48: I. The Dancing White Lady | Paul Patterson, Lavinia Meijer | F Major | 1 | 7B | 81 BPM | ||
| Praise to the Lord | The Concordia Choir | A Major | 1 | 11B | 131 BPM | ||
| Lord, May Your Word Be Dear to Me SHZ 244 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| Wesley: What Shall I Do My God to Love (Jerusalem) - 1. What Shall I Do My God to Love | Methodist Central Hall Choir, Westminster, John Chapman | A Major | 3 | 11B | 178 BPM | ||
| Unclouded Day | Shawn Kirchner, The Wartburg Choir, Cameron Trupe, Dr. Lee Nelson, Jacob Tews, Sally Malcolm | G Major | 2 | 9B | 112 BPM | ||
| Five Mystical Songs: 5. Antiphon | Ralph Vaughan Williams, Michael Leighton Jones, Jonathan Bradley, The Choir of Trinity College, Melbourne, Tinalley String Quartet | E♭ Major | 3 | 5B | 57 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Symphony No. 3 in A Major: II. Andantino | Samuel Wesley, Milton Keynes Chamber Orchestra, Hilary Davan Wetton | E Major | 0 | 12B | 76 BPM | ||
| In the Bleak Midwinter | Gustav Holst, Zurich Chamber Singers, Christian Erny | A Minor | 4 | 8A | 66 BPM | ||
| Lakeside | Philip Lane | C Major | 2 | 8B | 82 BPM | ||
| Pavane | John Bull, The Philip Jones Brass Ensemble | F Major | 0 | 7B | 120 BPM | ||
| Gloria in excelsis Deo | Laudesi Umbri, Padre Antonio Giannoni | F♯ Major | 3 | 2B | 88 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Die Fledermaus / Act 3: Finale: "O Fledermaus, o Fledermaus" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Karin Gottling-Poltner, Edita Gruberova, Richard Leech, Wolfgang Brendel, Wiener Staatsopernchor, Wiener Philharmoniker, André Previn | D Major | 2 | 10B | 73 BPM | ||
| For Charlie | Catholic Expat | A Minor | 0 | 8A | 89 BPM |