- BPM
- 106
- Key
- D Minor
- Camelot
- 7A
Suite bergamasque, L. 75: III. Clair de lune - Edit by Claude Debussy, Lívia Rév Song Details
Claude Debussy, Lívia Rév's ' "Suite bergamasque, L. 75: III. Clair de lune - Edit" was released on its scheduled release date, December 27, 2025. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Suite bergamasque, L. 75: III. Clair de lune - Edit's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in "'A Collection of Classical Fragments": A Selection of Solo Piano Works, so we believe that "Suite bergamasque, L. 75: III. Clair de lune - Edit" is a single. In terms of popularity, Suite bergamasque, L. 75: III. Clair de lune - Edit is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
The tempo marking of Suite bergamasque, L. 75: III. Clair de lune - Edit by Claude Debussy, Lívia Rév is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -27.156 dB
- Acousticness
- 100%
- Danceability
- 37%
- Energy
- 1%
- Instrumentalness
- 94%
- Liveness
- 13%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 41%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Préludes / Book 1, L.117: 2. Voiles | Claude Debussy, Pierre-Laurent Aimard | C Minor | 0 | 5A | 138 BPM | |
 | Valse nonchalante en Ré-Bémol Majeur, Op. 110 | Camille Saint-Saëns, Anne Queffélec | D♭ Major | 0 | 3B | 68 BPM | |
 | String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | |
 | Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | |
 | 24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | |
 | Première arabesque | Héloïse de Jenlis | A♭ Major | 0 | 4B | 87 BPM | |
 | Ravel Piano Concerto In G Major, 2nd Movement | Alison Teale | D♭ Minor | 0 | 12A | 133 BPM | |
 | Nocturne No. 1 in C Major, FP 56 | Francis Poulenc | C Major | 1 | 8B | 73 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | |
 | Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nuremberg Symphony Orchestra | C Major | 9 | 8B | 85 BPM | |
 | Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | |
 | Gymnopedie No 1 | Francis Poulenc | E Minor | 1 | 9A | 89 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | The Lily - Piano Version | Gabríel Ólafs | A Major | 1 | 11B | 87 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | |
 | Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | |
 | Gnossiennes: n° 5 | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 73 BPM | |
 | Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | |
 | Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 108 BPM | |
 | Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | |
 | Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 114 BPM |
- ISRC
- GBUM72402647
- Label
- L-M Records/RCA Records