On April 18, 1998, the song "Sataye Hai Devara Akelee Hoon" was released by Rampat Harami, Rani Bala, Poonam Rajkapoor, שריף. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 11 in Dik Have Dambu Dhay Dhay by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Sataye Hai Devara Akelee Hoon is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sataye Hai Devara Akelee Hoon by Rampat Harami, Rani Bala, Poonam Rajkapoor, שריף is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tara Ghada Utha De | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | B♭ Minor | 9 | 3A | 88 BPM | ||
| Guru Ji Ke Darshan - Gurbani Shabad | Bhai Jaswinder Singh | D♭ Major | 8 | 3B | 146 BPM | ||
| Preet Laga Ke Daga Ne Kariyo | Raju Patel, Dhaniram Sen | G Major | 5 | 9B | 129 BPM | ||
| Choun Rukh Posh | Naseem-ul-Haq | D♭ Major | 8 | 3B | 120 BPM | ||
| Piya Main To Basanti Bayaar | MANOJ TIWARI | G Major | 6 | 9B | 116 BPM | ||
| Raja Hot Hairan Dekh Ke | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Jawani Jor Dulha Milanwa | Rampat Harami, Rekha, Rani, Sona, Shabnam, Sajjan | B Minor | 8 | 10A | 139 BPM | ||
| Jo Re Gehunmavan Ke | Sharda Sinha | F Major | 5 | 7B | 116 BPM | ||
| Sab Mahina Bit Gail Raja Bina | Golu Raja | D♭ Minor | 6 | 12A | 97 BPM | ||
| Gawna Ke Beriya Oda Dihal Chadariya | Madan Rai | F♯ Major | 4 | 2B | 147 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| अंगुरी में डंसले बिया नगिनिया|पुरबियाउस्ताद महेंदर मिसिर का पुरबी | Chandan Tiwari | F Major | 5 | 7B | 105 BPM | ||
| Raja Aaja Aab Aaja | Arvind Singh Abhiyanta, Kamalwas Kuwar Vyas | F♯ Major | 8 | 2B | 156 BPM | ||
| Ayisan Dihlu Pappy | MANOJ TIWARI, Shobha Mukherjee | F Major | 5 | 7B | 140 BPM | ||
| Aage Se Na Balma Daalo | Rampat Harami, Rani Bala, Poonam Rajkapoor, Shafi | A Major | 6 | 11B | 68 BPM | ||
| Chado Mhara Purabji Ghode Re Aswar | Pemaram Jat | D Major | 4 | 10B | 173 BPM | ||
| Gham Uthane Ko - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | F♯ Major | 5 | 2B | 106 BPM | ||
| Lal Lal Hothwa Se | Deepali Sahay | F♯ Major | 9 | 2B | 117 BPM | ||
| Mora Re Anganwa | Sarda Sinha | G Major | 6 | 9B | 176 BPM | ||
| Babul Ka Ghar | Sharda Sinha | F♯ Minor | 9 | 11A | 120 BPM | ||
| Sharda Bhavani Maa Nihariyo Bundeli Dharmik Rai | Raju Patel | A♭ Major | 8 | 4B | 85 BPM | ||
| Main Nazar Karoon | Amjad Sabri | G Major | 9 | 9B | 109 BPM | ||
| Rongin Cinema | Momtaz | C Major | 9 | 8B | 140 BPM | ||
| Rampat Ki Nautanki Me Naya Maal | Rampat Harami | A♭ Minor | 5 | 1A | 138 BPM | ||
| Bana Changadi | Pratap Kumar Dalai | B♭ Minor | 6 | 3A | 67 BPM |