Prof.Ram Shevalkar, Asha Bhosle's ' "Avachita Parimalu (with Commentary)" was released on its scheduled release date, December 1, 1967. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Dyandev Mhane Sant Dyaneshwar, Vol. 1 by Prof.Ram Shevalkar, Lata Mangeshkar, Asha Bhosle. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Avachita Parimalu (with Commentary)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Avachita Parimalu (with Commentary) by Prof.Ram Shevalkar, Asha Bhosle is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Appenaa Rooppone Katileshwari... | Puttur Narasimha Nayak | F♯ Major | 7 | 2B | 175 BPM | ||
| Dislis Too Phulale Rutu | Sudhir Phadke | G Minor | 3 | 6A | 123 BPM | ||
| Savale Parabrahma Aavade - Studio | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Zali Phule Kalyanchi | Arun Date | F♯ Minor | 2 | 11A | 168 BPM | ||
| Kalidar Kapuri Paan | Sulochana Chavan | B Minor | 3 | 10A | 139 BPM | ||
| Khila hai man ka chaman | Brahma Kumaris | E♭ Major | 6 | 5B | 139 BPM | ||
| Santh Wrhrte | Sudhir Phadke | F♯ Major | 3 | 2B | 90 BPM | ||
| Guruvaara Munjaane | Ratnamala Prakash | A♭ Major | 3 | 4B | 177 BPM | ||
| Jai Jai Jai Jai Tuljabhavani Jagdambe - Aarti | Usha Mangeshkar, M.D. Devkate | A♭ Major | 5 | 4B | 92 BPM | ||
| Uth Pandharichya Raaja | Prasad Sawkar, G.D. Madgulkar | F♯ Major | 2 | 2B | 81 BPM | ||
| Vatali Ghadi Chadi Yujhyavina | Usha Mangeshkar, Suresh Wadkar | G Major | 4 | 9B | 128 BPM | ||
| Kuni Jaal Ka Sangaal Ka 1965 | Vasantrao Deshpande | D♭ Major | 4 | 3B | 79 BPM | ||
| Neenaarigadayo Ele Manava | P. B. Sreenivas, Bangalore Latha | C Major | 3 | 8B | 80 BPM | ||
| Samacharan Tujhe Dekhile Maya | Upendra Bhat | D♭ Minor | 9 | 12A | 105 BPM | ||
| Nammamma Sharade | Narashima Naik, Purandara Dasaru | G Major | 8 | 9B | 115 BPM | ||
| Vadilanche Daivat | Vishnubua Vavnjekar | B♭ Minor | 6 | 3A | 93 BPM | ||
| Utha utha ho mangalmurti | Shree. Rahul Deshpande | A Major | 6 | 11B | 93 BPM | ||
| Ganraya Lavkar Yei | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 100 BPM | ||
| Kolloura Sridevi Mookambike | B.K. Sumitra | F♯ Minor | 5 | 11A | 85 BPM | ||
| Dev Maza Vithu Sawala | Suman Kalyanpur | A Major | 3 | 11B | 70 BPM | ||
| Tumi Maa Amake | Ajoy Das, Kishore Kumar | A♭ Minor | 1 | 1A | 150 BPM | ||
| Aaj Mee Dattaguru Pahile | R.N. Paradkar | D♭ Major | 3 | 3B | 102 BPM | ||
| Tumi Nirmal Karo | Haimanti Sukla | A Major | 2 | 11B | 119 BPM | ||
| Shiter Shishir Bheja Raat | Bhupen Hazarika | B♭ Major | 3 | 6B | 133 BPM | ||
| Nadedu Barayya | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM |